DiverseWorks, a Houston-based multidisciplinary art space, has announced its 2022 Project Freeway Fellows.

Jon Revett on why he was (surprisingly) impressed by the Museum of Fine Arts, Houston's M.C. Escher exhibition.

Dallas Contemporary has announced the appointment of Lucia Simek as its Director of External Affairs, a newly established position.

The Blanton Museum of Art has announced that Ellsworth Kelly’s “Austin” will temporarily close for conservation purposes.

Jacky Cortiaus on a summer exhibition at Anya Tish Gallery that's themed around beating the Texas heat.

In this portrait series, William Sarradet asks artists working in Texas the question, "As a contemporary artist, how is your practice shaped by current events?"

Charles Adams announces his retirement from his namesake gallery, Charles Adams Gallery in Lubbock, Texas.

Jessica Fuentes and William Sarradet discuss the museums, galleries, and art you should see in Plainview, Canyon, Amarillo, and Wichita Falls.

The San Angelo Museum of Fine Arts has announced that its founding Director, Howard Taylor, will step down from his position as President and CEO at the end of this year.

Carris Adams talks with Dorota Biczel, the outgoing director of the Houston Center for Photography, about her research interests, her nonprofit work, and her advice for others working in the arts.

Ruben Cordova on a recently closed exhibition of African sculptures, which was on view at the Kimbell Museum of Art in Fort Worth.

Kathy Bussert-Webb reviews Rio Grande Valley artist Chris Leonard's exhibition, on view at the San Benito Cultural Heritage Museum.

This is, essentially, ALMAAHH's first large-scale program series, and will help introduce the museum's concept to a wider public.

This week: summer group shows in Dallas and Corpus Christi, an exhibition about beauty in Austin, exploring the border in Laredo, and more.

The Donald Judd Library Project intends to open the artist's library up to digital visitors across the world.

Sean J. Patrick Carney habla sobre la historia de los muchos mesías de Texas y la relación entre la superstición y la religión.

Exhibitions can be an effective tool for arts organizations and museums to amplify representation of people of color, but shows alone cannot eliminate barriers that have persistently disconnected visitors from these institutions.

A tour of Cande Aguilar's exhibition at The Guadalupe Cultural Arts Center in San Antonio.

Jessica Fuentes on “Technicolor Summer,” which is currently on view at the Old Jail Art Center in Albany.

The Amon Carter Museum of American Art has announced that Andrew Eschelbacher will succeed Brett Abbott as its Director of Collections and Exhibitions this coming September.