Review

Hannah Dean on a biennial exhibition by the faculty of the El Paso Community College, on view at the International Museum of Art in El Paso.

Ashley Allen reviews a solo exhibition by Megan Harrison, currently on view at Blue Star Contemporary in San Antonio.

William Sarradet writes about five recent exhibitions in San Antonio, Austin, and Dallas.

It is important to remain cognizant of the power given to institutions, including museums, to shape the historical narrative.

Though abstract in nature, there is something familiar, and often figural, in the rhythmic lines of Herrera’s work: joyous, dancerly, tousled.

"Going to Performa had me flying home with a resounding realization that Houston and the art we have happening here is even more important than I thought." 

This groundbreaking exhibition marks the first and possibly last time these objects will be reunited from various collections across the country. 

"Aqui Descansaba" shows vulnerability by accepting the painful truth and the contemporary reality of la frontera.

Red Star’s artwork is an autobiographical revelation, both personally and culturally, offering up lesser-known parts of our history through a living, breathing heritage.

We can think of Cande Aguilar and Jesse Amado as two artists on different sides of the same coin.

Philadelphia based artist and writer Ricky Yanas reviews "Border is a Weapon," a group exhibition about the U.S.-Mexico border.

"Foreign Body: Works on Navigation" puts forth a notion of the body that is malleable to outside dangers, and offers a path through which respite is realized.

Maritza Bautista reviews artist Ana Laura Hernández's solo exhibition "Code-Switching" at the Laredo Center for the Arts.

There is a shellacked magic to Donald Moffett’s resin paintings, an edibility of cured color that satisfies the eye like candy.

The CAM 2022 Perennial exhibition at the Southwest School of Art and Sala Diaz invites visitors to contemplate the shared and intimate realities of what it is like to live and work in San Antonio.

Lauren Moya Ford reviews the solo exhibition by Jenelle Esparza at the McNay Museum in San Antonio.

For this show, be willing to go with the flow: here-immersive, there-interactive, and right across the room, just stand back and listen.

Stephen Caffey reviews Midland-based artist Catherine Allen's exhibition "En Route."

When a small work is good, it packs a disproportionate punch: while it can be easy for a big piece to awe you from across the room, the ability for a tiny artwork to have the same effect is rare.

Jon Revett reviews "Down in the Dirt: The Graphic Art of Terry Allen," a show of the artist's print works at the Museum of Texas Tech in Lubbock.