"I’m looking at large trends. So many visual artists write!"
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Energy is manifest both in Flueckiger’s process for creation, as well as in the visual qualities of the paintings themselves.
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John Pomara waltzes on with mechanical processes.
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Por lo tanto, hemos probado tres suculentos platillos de canibalismo como sátira, y creo que los tres son deliciosos.
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Aquí nos echaremos un clavado a una discusión sobre más héroes y villanos.
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Texas Hill Country may be known for its German cultural heritage, but what about the Italian guy with his own art museum in Marble Falls?
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The Chicano movement was galvanized by — and it became deeply identified with — the struggles of the United Farm Workers Union.
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Reyes’ 'Instant Genocide' is a critique of racism that encapsulates and embodies Trump's racist rhetoric, though it was painted decades before Trump's words were uttered.
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Nigerian artist Olaniyi Rasheed Akindiya would like to clarify that he lives in Pflugerville, Texas — not Pflugerville, Germany.
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An Interview with Hillerbrand + Magsamen About How to Survive the Coronavirus (One Device at a Time)
"Most recently, our project employs live performance and investigates how we can cope in a world that seems impossible."
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East recently launched a Kickstarter to raise funds for a new art space she wants to erect in historically black East Lubbock: the East Lubbock Art House.
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Julie Speed on a foundation in the works to support her home and studio, her Instagram account, and the mathematical underpinnings of art
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"Privacy is an abstract idea that we shove in a box and store in the attic when the immediate gratification and dopamine release from Pokemon Go calls to us."
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Austin-based photographer Leonid Furmansky got to know Galveston on his BMX bike — riding, sometimes trespassing, along old buildings and empty streets to document what he describes as its strange beauty.
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"My work speaks of the uncomfortable. It makes viewers uncomfortable because uncomfortable is the air I breathe."
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"He and the de Menils did some big-idea thinking, and committed themselves to getting it done in Houston."
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"Because my work does not maybe look like the pervasive agendas doesn't mean I'm not influenced or in dialogue with it."
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Talking with Jazmyne Moreno, Programmer of Austin Film Society’s LATES
by Neil Fauersoby Neil Fauerso“It’s harder to get people out during the holiday season for truly transgressive work,” she tells me. “Wait 'til the new year.”
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Editor’s note: This article was published in English on Glasstire on July 3. Find that here. Traducción del inglés de Yolanda Fauvet. Un caballo azul gigante de mirada abrasadora…
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Here we sample three meaty courses of cannibalism as satire, and I think they are all delicious.