Feature

Matthew Bourbon on a standout work by Robert Milnes

Today: Sunken signs

Fox creates corporeal hybrid creatures who enact universal themes of life — love, loss, rebellion, and sex.

This week: a solo exhibition in Austin that investigates how humans shape the world around them, a group exhibition covering 100 years of Mexican photography in El Paso, site-specific sculptures by local artists in Houston, and more.

Colette Copeland visita la Kinfolk House, una nueva galería y espacio colaborativo en Fort Worth, Texas, fundada por Sedrick y Letitia Huckaby.

In this essay, which won the 2022 Central Texas Glasstire Art Writing Prize, Allison Marino writes about 16th century maps included in the "Relaciónes geográphicas."

Carris Adams reviews Project Row Houses' current exhibition, "Round 53: The Curious Case of Critical Race.... Theory?"

Ashley Allen reviews "Donald Moffett + Nature Cult + The McNay," on view at the McNay Art Museum in San Antonio.

Robert Arber, a Marfa-based printmaker who collaborated with Donald Judd, Elaine de Kooning, and Bruce Nauman, was recently featured in an exhibition at the Albuquerque Museum.

The National Gallery of Art in Washington D.C. has created a new artwork guessing game called "Artle."

Today: Extension cords

Rosa Boshier reviews artist Oscar Muñoz's retrospective exhibition "Invisibilia," on view at the Blanton Museum of Art.

A quick look at works from The Modern Art Museum of Fort Worth’s “Women Painting Women” exhibition.

Megan Wilson Krznarich reviews the exhibition "The Language of Beauty in African Art" currently on view at the Kimbell Art Museum.

Liz Kim reviews a retrospective exhibition of work by Dawoud Bey, on view at the Museum of Fine Arts, Houston.

This week: memories and stories of the duality of place in Laredo, an annual studio tour in Dallas, reflecting on the effects of modesty doctrine on the female spirit in Austin, and more.

Anna Adami talks with Rosemary Candelario about her evolving performance, "aqueous," and her personal relationship to water.

Caleb Bell talks with Lubbock, Texas-based artist couple Shannon and William Cannings about life with another artist, their individual practices, and how they balance work and family life.

Today

Barbara Purcell reviews the book "Plagues and Pencils," written by Edward Carey and published by the University of Texas Press.