Feature

Lauren Bock looks at Teresita Fernández's lobby installation, "Stacked Waters," at the Blanton Museum of Art.

This week: an big annual group exhibition in Houston, international postwar works in Dallas, a solo sculpture exhibition in Austin, and more.

Melissa Gamez-Herrera reseña la exposición de Karla García, que usa los cactus de cerámica como una metáfora de la vida en la frontera Estados Unidos-México.

A video tour of artist Sarah Williams' show at Moody Gallery in Houston.

Jessica Fuentes on solo exhibitions by Dontrius Williams and Christopher Knowles at Arts Fort Worth.

Suber’s show is an encapsulation of this spirituality that surrounds the spaces between all of us.

Caitlin Duerler Chávez visits three art exhibitions at the University of Houston Clear-Lake, and also writes about the school's public art.

Today: Lilies

A video exhibition tour of Leigh Merrill's show at Liliana Bloch Gallery in Dallas.

William Sarradet and Brandon Zech discuss the recent history of TV, streaming, and how the industry has changed our culture. 

Colette Copeland writes about the exhibition "This is Ukraine: Defending Freedom," which is currently on view in conjunction with the Venice Biennale.

A video tour of Jay Shinn's exhibition at Moody Gallery in Houston.

Caleb Bell compiles a list of recommended exhibition catalogs published by museums and institutions across the state of Texas.

Ruben C. Cordova reviews the recent solo exhibition of work by artist Shahzia Sikander at the Museum of Fine Arts, Houston.

This week: a multidisciplinary show rooted in this history of Juneteenth in Galveston, retrospectives in Tyler and Houston, part two of a Dallas exhibition, and more.

Barbara Purcell reviews "The Whispers" by Tarek Atoui, the Suzanne Deal Booth / FLAG Art Foundation Prize winner, at the Contemporary Austin-Jones Center

Husna Krueng, an 8th grade student at Tanglewood Middle School, writes about Juame Plensa's "Tolerance" sculpture in Houston.

Artistic and religious spaces are both deeply rooted in culture, and as religious beliefs and opinions become more and more entrenched, maybe art is one place where we can come together to reveal our common humanity.

Colette Copeland compiles a list of artworks from the Venice Biennial she would like to see in her local Texas museum.

En El Salvador, el orgullo nacional viene acompañado de crítica. Es otro más de los aspectos binarios del país: la invitación a discutir ansiedades muy personales, aunado con una intimidad asumida por el visitante.