"I was more interested in the high drama of the opera, combined with the irrationality of Dada’s legacy in response to the savagery in the world."
Colette Copeland
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Shirin Neshat's retrospective exhibition at the Modern Art Museum of Fort Worth is made up of her acclaimed oeuvre of photography, video and film from the past 30 years.
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"Living in these characters gives me a freedom to explore what it feels like to embrace emotion and let it do what it needs to — through sadness or confusion or strange sexiness or filth or isolation."
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During the shutdown, the acclaimed artist residency has a bit of extra room to host an informal writing residency in collaboration with Glasstire.
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During the shutdown, the acclaimed artist residency has a bit of extra room to host an informal writing residency in collaboration with Glasstire.
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If you're in DFW, I'd consider this a must-see event.
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For the past 40 years, Deborah Butterfield has been creating large-scale sculptures of horses. Her work is currently on view at The Old Jail Art Center in Albany.
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I felt a bit like Alice down the rabbit hole: the surreal quality of masked visitors quietly whispering oohs and ahhs, while I played detective trying to locate and identify the local artists’ work.
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While the images may appear tame today, they very much defied the cultural decorum of their time and place.
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Profile
An Interview with Hillerbrand + Magsamen About How to Survive the Coronavirus (One Device at a Time)
"Most recently, our project employs live performance and investigates how we can cope in a world that seems impossible."
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"Privacy is an abstract idea that we shove in a box and store in the attic when the immediate gratification and dopamine release from Pokemon Go calls to us."
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"My work speaks of the uncomfortable. It makes viewers uncomfortable because uncomfortable is the air I breathe."
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"We love this work and are trying to figure out how to manifest more hours in the day."
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"BASEBALL IS BORING BUT SO IS ART."
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After checking in at the lobby, we were asked how many Instagram followers we had, and were given name tags with that number as our identifying labels.
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Interview
A Conversation with Liss LaFleur, Curator of ‘Cosmic to Corporeal: Contemporary Queer Performance Practices’
"My goal was to pick an orchestra of works that provide an international, intergenerational, and intersectional exchange of artists who are working to redefine the constructs of performance art and identity."
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"For me, beauty has the potential to give you a strong existential feeling that makes you wonder what it can mean to be alive and conscious."
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The CU's functional design allows for individual autonomy with some degree of privacy, as well as plenty of common areas for interaction, camaraderie and collaboration.
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"An ongoing goal of the project has been to introduce the local audience to work that they are not likely to see in other venues."
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"Someone asked me during the opening if the fur was real, and I told them that it was real fake fur."