Colette Copeland

Artist and writer Colette Copeland reviews a series of exhibitions focusing on paper and books at the Grace Museum.

"I believe that one of the most important aspects of my work is reciprocity. In essence, this is at the heart of all healthy human relationships: we nurture, learn, create bridges of dialogue, and as creative people we collaborate."

Colette Copeland interviews Delita Martin about her artwork, her foundation supporting artists, and her participation in the Venice Biennial.

Colette Copeland writes about the exhibition "This is Ukraine: Defending Freedom," which is currently on view in conjunction with the Venice Biennale.

Colette Copeland compiles a list of artworks from the Venice Biennial she would like to see in her local Texas museum.

Fox creates corporeal hybrid creatures who enact universal themes of life — love, loss, rebellion, and sex.

Colette Copeland visita la Kinfolk House, una nueva galería y espacio colaborativo en Fort Worth, Texas, fundada por Sedrick y Letitia Huckaby.

The Huckaby’s desire is that community connection “will craft a patchwork of creativity, power and culture, ensuring that the Kinfolk legacy lives on for generations to come.”

Colette Copeland on an exhibition that explores various artists' ways of coping during our global pandemic.

Given her training as a calligrapher and bookbinder, it’s unsurprising that Dallas artist Andrea Tosten finds inspiration in literary texts.

Colette Copeland talks with San Antonio-based artist Daniel Rios Rodriguez.

Colette Copeland talks with artist Jill Magid about her recent projects, the pandemic, and issues around labor.

Aunque mucho se ha escrito sobre el trabajo de Milton, no conocía el de su esposa e hija. Al investigar su obras, me enteré de lo que se ha nombrado “el estilo Avery”.

Colette Copeland reviews an exhibition of photographs by artist Patty Carroll at PDNB Gallery in Dallas.

Writer Colette Copeland visits artist Kristen Cochran at the TCU Moudy Gallery.

While much has been written about Milton Avery’s work, I was unfamiliar with that of his wife and daughter. In researching their work, I became aware of what has been termed the “Avery style”.

The culmination of the music, the visuals, and the audience was a poignant and moving experience, one that I will no longer take for granted within the context of the pandemic.

"I think there is something vulnerable, yet a necessary vulnerability, about acknowledging how relation, love, sex, children, and survival are all mixed up."

"I was looking for a way to enter into a century-long fight that encompassed thousands of locations, women and people."

"I think deep down, I understood that this subject deserved a big shift from me."