Christina Rees and Brandon Zech on a show that starts with a stolen car, a Houstonian’s photographs in Dallas, and an artist who exploits targeted advertising.
Earlie Hudnall
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Potential appointees may nominate themselves, and Texas citizens may nominate more than one artist for the honor.
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Brandon Zech and Christina Rees discuss conservation nightmares, the Dust Bowl, and how well-versed Texas artists are on this subject.
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The portal through Chandler’s "Door" is one of three pathways into the exhibition that reflect on the legacy, persistence, and enduring consequences of the socio-political climate under which the works in "Soul" were forged.
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The exhibition, which is on view now and runs through March, will include a free artist talk on February 26 at 3 p.m.
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There is great value, Hudnall stresses, in creating artistic documentation of the everyday people and activities in one’s own community.
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A show of works by African-American artists in the collection opens the museum to accusations of perfunctory curatorial affirmative action.
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"We should not accuse any of these artists of actually BEING obsessive-compulsive.”