Jessica Fuentes, William Sarradet, and Brandon Zech discuss recent shows they've seen across Texas, the opening of new galleries in Houston, Austin, and Wimberly, and the art news that's been making headlines this fall. 

The City of Austin’s Parks & Recreation Department has issued an open call for 2025 exhibition proposals for the Julia C. Butridge Gallery at the Dougherty Arts Center.

Jessica Fuentes talks with artist and musician Terry Allen about his creative process and the stories that inspire his work.

Weingarten Art Group, a Houston-based art advisory firm, has announced an open call to apply for the Houston Endowment’s Jones Artist Awards Program, which features $4,000+ honorariums for selected artists.

The National Endowment for the Arts, in partnership with South Arts and in collaboration with regional arts organizations, including the Mid-America Arts Alliance, has launched a new grant program, ArtsHERE.

Francesca Fuchs writes about an exhibition of unsettling sculptures by Houston-based artist Ryan Hawk, on view at Sweet Pass Sculpture Park in Dallas.

The Marfa Invitational, a foundation that organizes an annual art fair in West Texas, is facing allegations that it has mismanaged donated funds after losing its 501(c)3 nonprofit status with the Internal Revenue Service.

Brandon Zech reviews an ambitious outdoor sculpture exhibition featuring work by 14 artists and collectives.

This week: a solo show featuring vibrant fabric artworks in Houston, a group exhibition paying tribute to a Chicano gallery and the artists it showcased in San Antonio, a one-day studio tour in Dallas, and more.

Artists who have been selected for this year's program include the Philadelphia-based duo Andy Davis and Anne Lukin, the Houston-based Preston Gaines, and the Chicago-based Devin T. Mays.

Natalie Hegert reviews a group exhibition featuring five artists who explore the "politics, aesthetics, and experience of belonging."

The Center for Civic and Public Policy Improvement has announced the opening of 3131 Gallery at One Emancipation Center in Houston’s Third Ward.

Madison Ford reviews an exhibition of complex, sensual oil paintings by Los Angeles-based artist Lucy Bull, on view at The Warehouse.

The City of San Antonio has launched a call for visual artists to apply for its Prequalified Public Art List; selected artists will be eligible for public art projects for three years.

Xan Murphy writes about the exhibition "Between Yesterday & Tomorrow," which features work by Black artists living and working in San Antonio.

Flatbed Center for Contemporary Printmaking, an Austin-based organization dedicated to serving artists working in print media, has announced a call for applications for its 2024 Jerry Manson Residency program.

Barbara Purcell reviews an exhibition of new works by Cey Adams at West Chelsea Contemporary in Austin.

The Houston Endowment, a place-based philanthropic organization, has installed its final exhibit of the year in its recently-built headquarters west of downtown.

Melissa Mednicov writes about the Greek-born artist Chryssa, whose often overlooked practice is the subject of a major exhibition at the Menil Collection in Houston.

William Sarradet writes about this year's iteration of the Texas Vignette art fair, a women-only annual exhibition in Dallas.