Review

I wonder how many of the artists in this show really just wanted to drive a big truck through the plate-glass window that overlooks the pool. “There’s your art. The house looks better already.”

A fruitful collaboration results in these tapestries, each of which really do seem to encompass a whole vibrating universe.

Many of the paintings have a gauzy logic just out of reach.

This curated selection of work represents the photographer's personal walk back through the history of his life, his family’s lives, and their deaths.

"Where do our avatars hang out when not in use?"

Was Bush’s work on these soldiers' portraits cathartic for him? Is the show a tribute, or therapy?

"They remind us that our minds are full of ghosts all the time.”

The rapid-fire seriality of this work undercuts the time the viewer would need to conjure and engage in aura.

The piece is a marvelous if unpretentious centering of Sawyer's concerns.

In the sparseness of rural living, the vacancy can be a refuge for one’s eccentricities. There are portals everywhere.

Day for Night gets some important things right about presenting time-based art in the 21st century.

On most fronts, Day for Night has grown into a successful, enjoyable experience.

One of the main coping mechanisms I’ve had for this year of rage and despair is listening to this music in my studio. I hope you can find some time to give these a spin in your studios wherever and whatever they may be.

Glasstire staff and contributors share which Texas-based shows, events, and works made their personal ”best lists” for 2017.

The way culture engraves itself on you is the haunting core of Richard Armendariz’s show. 

The show gathers together a trove of work from many young Texas-based artists, along with their peers from across the country, and aims to represent the inherent 'untruth' of photography.

Fuentes’s sweeping calligraphic strokes snake along the paper, ambling along until their next clash.

Hidden in Bradford's cavalier brushwork are wise and focused decisions.

Is Hatoum's work doing something besides being eerie? The answer is yes.

The central themes of the show are shimmering and elusive, like sunlight on a river.