William Sarradet

William Sarradet on the work of Trey Burns, Gerald Bell, Heyd Fontenot, Jeremy Biggers, Jeff Gibbons, and Summer Aquino.

Even in this iteration of the fair, which included fewer galleries than in recent years, the event felt full, lively, and (as art fairs often are) just the slightest bit overwhelming.

William Sarradet on exhibitions on view at the South Dallas Cultural Center, the Dallas Museum of Art, Terrain Dallas, The MAC, and PRP.

I don’t know the last time I saw the Milky Way. Supposedly, it’s always there above our heads, but you can’t see the stars in Arlington, or Dallas, or Austin,…

Amy Werntz: Ordinary Moments, and Lloyd Brown: The Sky Should Know Me by Now (Recent Paintings of U.S. Highway 50),  at Valley House Gallery & Sculpture Garden, Dallas, August 28–October…

Revier’s show has the capacity to illustrate Texas’ relationship to the rising tides of change, with the nuance that only an artist could muster.

The El Paso native says that not everyone can see an object's aura.

While visiting a fellow Texan who is now relocated to the foothills of Western Massachusetts, I took my camera and sought out art in the galleries, museums and alternative spaces of the region.

Three literary works by contemporary artists that offer a surrogate experience: Autofictional stories of life under the creative impulse.

Would you buy a bot to be your conversational companion?

What a fool I was to believe that a few minutes would be enough time to get to the bottom of it all.

Three films set the scene for anticipated cinema this season, and I took notes.

Glasstire's Events and Social Media Editor walks us through some current exhibitions on view across Texas.

Mention the names of artists Yasuyo Maruyama or Suguru Hiraide to locals in Wichita Falls, and they’ll instantly know who you’re talking about.

At the DMA, Julian Charrière is dealing in a rare material: Arctic ice.

I'm left to wonder how the slant toward bleak-themed exhibitions is perceived by those walking into shows for the first time in so many months; is it our responsibility to feel in synch with how bad things are?

U.S. and Chilean-based artist Claudia Bitrán has been re-creating the blockbuster 1997 film, scene by scene, with more than 600 participants across 19 cities internationally.

"Our technology evolves, but we haven’t evolved that much. We’re the same people we were when we first invented myths, really.”

Artists are often their own advocates as they forge new strategies to create work in spite of a political gridlock that often forgets about them.

Some artists know that a glimpse of the future can be seen in the present if you look in the right place.