Hannah Dean

Because I’m such an interesting person, this review has no thesis, and your mind should still be blown.

For a casual observer or pedestrian, the spaces Hegert calls into focus go unseen.

After 33 years of teaching for the School of Art and serving as interim director and director between 2005 and 2013, Fuentes will continue her international art practice from her Lubbock-based home and studio.

I think I’m failing Christie Blizard. 

In short, this show presents like a most timely biennial. 

Before accepting the position as LHUCA's executive director, Ms. Maestri served as the institution's community engagement manager and interim director.

Whether bursting with visual stimuli or more sparse and lonesome, these works speak to lonesomeness, self-discovery, attitudes about sex, and the kitchen-sink drama of everyday life.

It is wild to see an entire show of completed Rembrandt etchings and studies in the middle of nowhere.

It's a breath of fresh air to be confused and not receive an immediate answer from the artwork.

To find distinctly Texan work could mean a lot of different things. We are a borderland and a coast, with a fever-pitch politic surrounding guns, vaccines, and a host of other things that pisses everyone off one way or another.

These are great paintings and sculptures, and taken together add up to a powerhouse of a retrospective.

The plot twist is that the critique is less about humans exercising control of their environment, and more about the repercussions of chemical resistance that follows monoculture.

To be able to research an artist, genre, or process in depth, without having to deal with a lot of administrative red tape, is pretty special.

K Space Contemporary, based in Corpus Christi, began an unusual public arts project in April 2018 in partnership with Corpus' La Palmera Mall.

"Hello. I would like to purchase some of your works as a surprise gift to my wife in honor of our upcoming wedding anniversary."

This is deliberate order and staccato, not like a map, but rather like the rhythm of a day: the ebb and flow of hunger, thirst, fatigue.

It’s nice to be drawn in to a work’s tactile visual appeal before you get knocked upside the head with conceptual weight.

Quarm's paintings speak to cultural excavation and sustained self-discovery.

Every artist in this show is a master of their material, and the work is cle-e-e-ean, playful, spooky, and serious all at the same time.

"As an adult, I bought myself some damn squirt guns, and I didn’t tell my mother for like three months. I couldn’t sleep."