Colette Copeland

While the exhibition looks unassuming, its intent is oddly ambitious: to make a case that for the sake of some kinds of meaningful communication, the post office and its mail system should be saved.

For its 27th year, the festival spanned two complete weeks held in five different venues throughout Dallas, and this strategy (as opposed to all the screenings in one venue) evidently draws upon different audiences and boosts overall attendance.

What makes Art 21 so successful is how it demystifies the conundrum of what we refer to as contemporary art.

While I am a huge fan of performance art, there were some issues here

Imagine if ABC's cheesy After School Specials featured Sesame Street characters whacked out on crack with a dose of Ryan Trecartin’s depravity. That's Elissa Stafford's House Party.

Are women’s films still not receiving the same amount of attention as men’s?

The 26th Dallas Videofest is an opportunity to see the depth and breadth of what is happening globally in video art.

The Art Foundation's (artists Ryder Richards, Lucia Simek and Andrew Douglas Underwood) installation for the Texas Biennial is inspired by Jonathan Lethem’s novel Chronic City.

The sound of the conté crayon marking the wall is both soothing and grating. I sit on the concrete floor thinking that, as the viewer, I too should experience some discomfort.

What’s more fake than the art world? Pro-wrestling.

Ferrer’s work reminds me of carnivals and cupcakes, but underneath the Cirque du Soleil atmosphere, there is something hallucinatory—like walking around in Johnny Depp’s Wonka candy forest or waking up after a fall down the rabbit hole.

A few nights before I saw the Cindy Sherman retrospective at the Dallas Museum of Art, I dreamed about Cindy. Picture a big warehouse building like Warhol’s New York Factory…

Currently on exhibit at the Fort Worth Modern is a focus exhibition on the work of Nigerian/British artist Yinka Shonibare. Shonibare’s work is usually categorized by themes of colonialism/power and…

Three different exhibitions—Sandow Birk and Elyse Pignolet’s The 99 Names of God, Moreshsin Allahyari’s Re: apologies to the many wonderful Iranians and Christopher Blay’s Machine Time are on display at…

The word “cosmopolitanism” conjures up worldly, cultured and possibly elitist connotations. The idea that all humanity belongs to a single moral community is a lesser-known definition of the word. Theoretically…

The end of September hailed the 25th anniversary of the Dallas Video Festival. Changing the venue to the Dallas Museum of Art proved to be a smart move. Despite the…

I had the pleasure to travel to Mozambique this summer to visit some friends, who had recently relocated there. We stayed outside the capital city Maputo in the town of…

Featuring seven artists’ work in two galleries, the exhibition City Zoo marks the debut of Brand 10’s new space—And X. Conveniently located on the I-30 service road, And X’s mission…

Jackie Tileston’s latest exhibition Freefall at Holly Johnson Gallery in Dallas includes paintings from 2007 to present. I’ve followed Tileston’s work for the past ten years and I never get…

Colette Copeland and her video camera visit Dallas artist Ryder Richards in his studio.