Watch Christina Rees and Bill Davenport Skype about the week's top five art events in Texas.
Conduit Gallery
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So what is the value of a good painting? What the market will bear, I suppose, but also the pleasure it offers to the viewer.
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To reintroduce a passé subject without the crutch of irony or impressive technical skill is a challenging task. Bodycomb needs to channel her inner Hitchcock.
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I decided to look at the exhibition history of CADD galleries to see how diverse this prestigious group is when it comes to the artists they choose to exhibit.
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Daou just manages to steer clear of the saccharine, a quality that stalks elegance in general.
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These vegetables protest their innocence too strongly: obviously, they're hiding something.
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His paintings are giant Jenga puzzles daring you to take out one last block, poised to tumble into uncomfortable corridors where race, masculinity, past, and present meet.
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Joel Sampson’s Rhythm Machines reminds me of something one might see at a Maker Faire or the Musee Mecanique, if the people who made those things were less crass.
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The recession brought to the city a concentration of young, energetic, like-minded creatives. Now, how do we keep them here?
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The word “cosmopolitanism” conjures up worldly, cultured and possibly elitist connotations. The idea that all humanity belongs to a single moral community is a lesser-known definition of the word. Theoretically…
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ArticleGlasstireReview
“Mimi Kato: One Ordinary Day of an Ordinary Town” at Conduit Gallery
by Garry Reeceby Garry ReeceOne Ordinary Day of an Ordinary Town, Mimi Kato’s current exhibition on view at Conduit Gallery, is a continuation of the hybrid digital landscapes she first presented at ArtPace…
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Glasstire contributors offer up their picks for Fall 2012! AUSTIN Emily Roysdon: Pause Pose Discompose Visual Arts Center September 21 – December 8, 2012 Super smart curator and art historian…
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Don't Look. Okay Look.Glasstire
The Index Cards: Vincent Falsetta at The Reading Room
by Betsy Lewisby Betsy LewisWhile others swoon over Vincent Falsetta’s distinctly abstract paintings, The Reading Room’s Karen Weiner swoons over his handwriting, archiving, and documentation. Her small, noncommercial Exposition Park gallery is devoted to…
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Last week, a Facebook friend of mine — an artist living in Dallas whom I’ve never actually met — caught my attention when he posted this on Facebook after his recent visit to…
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If there were three balls on the floor (1lb, 50lbs, 100lbs) but all the same size, shape, color and surface … could you tell the difference from just looking?…