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Nasher XChange is as much about learning about Dallas as it is about seeing art.

How to say this? Oh, yes: ceramics make me lusty.

I actually really like stripe painting, but seeing so much of it in one place kinda makes you wonder.

Electro-acoustic trio Konk Pack wowed audiences at Spring Street Studios, Art Palace brought dead animals to the art fair.

Last week, Houstonia Magazine's Michael Hardy took pot-shots at some characters at exhibition openings, but his field guide is all wrong, except for the vintage glasses.

Pure, honest camp, the show feeds off the local nostalgia of last year’s traumatic blaze, in which an electrical fire destroyed the iconic statue of Big Tex.

The Art Foundation's (artists Ryder Richards, Lucia Simek and Andrew Douglas Underwood) installation for the Texas Biennial is inspired by Jonathan Lethem’s novel Chronic City.

One of the worst and best things to happen at this year’s Texas Contemporary Art Fair was a car crash.

Developer WDI owns most of the colorfully painted warehouses that line Singleton and its side streets. It's also keen on drawing artists to the area to add to its retail and cultural viability.

Dallas, Dallas, Dallas: Three of a Kind for the Texas Center of Novel Projects

Here’s the fair, blogged at it unrolls at Houston’s George R. Brown Convention Center. Thursday Night Opening and VIP preview The always well-dressed Paul Middendorf was among the throng of…

What happens on the Chihuahuan Desert plateau stays on the Chihuahuan Desert plateau, but use some common sense.

Houstonian subversion trio—Mark Flood, Lane Hagood, and Jeremy DePrez—look smart on these mismatched walls, which still bear traces of an auto-body shop.

Curators Andrea Karnes and Alison Hearst have organized a mini-biennial of the latest and greatest hits of Mexican art since the 1990s.

Peter Lucas asks Bill Viola about early video, slow motion experiences, dreams, and death.

Tim DeVoe and Miriam Ellen Ewers inaugurate a new West Dallas space with a large green sculpture like a skateboard ramp. Hurry, it's closing Saturday!

Struck by the cinematic qualities of these drawings, and by elements in them that reference specific movies, Peter Lucas glimpses beneath the stitches of Bise's drawings, with a DVD extra!

Kelley says she is “inspired by the malleable nature of young minds and the twisted intricacies of immature adults.”

Video works, installations and filmed performances from artists that both spaces have exhibited over the past few years are much more than a greatest hits montage.

The sound of the conté crayon marking the wall is both soothing and grating. I sit on the concrete floor thinking that, as the viewer, I too should experience some discomfort.