Rafael Barrientos Martinez

Having grown up in the shadow of Disneyland, Tomaselli transforms the everyday into landscapes of whimsy that are both cosmic and moody.

With Amarillo Ramp, Smithson’s final work, we begin to realize the extent of the artist's infatuation with our state. He's begging us to claim him as one of our own.

This exhibition, and its accompanying catalogue, is one that any student of the medium dares not miss.

Placed in a post-apocalyptic setting created with wallpaper, video and audio, Beshty's works read as a naive understanding of what it is to live in Mexico's landscape of violence.

Curators Andrea Karnes and Alison Hearst have organized a mini-biennial of the latest and greatest hits of Mexican art since the 1990s.

Boom Town whispered, “Here we are, look what we are capable of.” On the last day, when the roar of POST COMMUNIQUÉ and the Dallas VideoFest had lessened, the works in Boom Town were given the chance to scream this message out loud.