Today: Saddles (as seen at the Dallas Art Fair)

This week: an exhibition showcasing queer representation in the Jerry and Marilyn Comer Collection of Photography in Richardson, a solo show featuring drawings and sculptures produced over 30 years in Houston, a group show exploring the body as container and domestic spaces in Austin, and more.

Dr. Sarah E. Kleinman has been announced as the new director of Texas State Galleries at Texas State University in San Marcos.

Michele Brangwen previews the fifth annual Texas Latino/a/x Contemporary Dance Festival at MATCH, Houston.

The Bayou City Art Festival invites artists from around the world to apply for the opportunity to showcase and sell their art at this year’s Fall event.

Emma S. Ahmad reviews an exhibition of artworks by Indian women curated by Colette Copeland as part of her Fulbright research.

Carris Adams talks with Renata Cassiano Alvarez about the material and cultural influences that shape her ceramic sculptures.

The Dallas Invitational Art Fair has announced the Modern Art Museum of Fort Worth’s acquisition of two pieces from the 2025 fair.

Mary Leclere reviews the first U.S. major museum survey of filmmaker and artist Tacita Dean at the Menil Collection.

The Tulsa Artist Fellowship, a place-based arts initiative in Tulsa, Oklahoma, has opened applications for its 2026-2028 program.

Ruben C. Cordova writes about the double standards regarding tattoo iconography in today's political climate.

The Glass Art Society has announced the schedule for its 2025 International Conference, which will be hosted by the University of Texas at Arlington and SiNaCa Studios in Fort Worth.

The Dallas Art Fair and the Dallas Museum of Art have announced the seven artworks selected from the fair to join the museum’s permanent collection.

Jessica Fuentes writes about three arts spaces, in Ciudad Juárez, working binationally to support local and regional artists and creatives.

Landmarks, the public art program of the University of Texas at Austin has announced the composers included in its 2025 “Sound in Sculpture” program.

William Sarradet writes about recent exhibitions at the Irish Museum of Modern Art (IMMA) and Kerlin Gallery in Dublin.

Glasstire, en colaboración con Art21, está copublicando filmes sobre artistas contemporáneos relacionados con Texas. La séptima entrega presenta a Tanya Aguiñiga.

Lynn Castle, the longtime Executive Director of the Art Museum of Southeast Texas in Beaumont, has announced her upcoming retirement.

This week: a solo exhibition of works by a Texas artist famous for his Hermès scarf designs in Galveston; a multidisciplinary solo show exploring community, humanity, struggle, and spirituality in Dallas; a photo-based group exhibition inspired by the COVID pandemic in Houston, and more.

MASS Gallery, an artist-run experimental gallery in Austin, has partnered with the Cobertizo Artist Residency in Jilotepec, Mexico, to launch a binational residency program.