It is the most unsurprising and natural thing that, in our consciousness, we would conjure something in the universe, over and over again.
Feature
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Like the candy machines and kiddy rides, Trailer relies absolutely on novelty. But, while the novelty lasts, it's fabulous.
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An intelligent and enjoyable look at symbolic thinking and performance art. I encourage you to hurry—the exhibition ends May 3rd.
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Chinelo Ikejimba studied dance and interns at Houston's Contemporary Arts Museum.
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BlogGlasstireOp Ed
Artforum Weighs in on the Dallas Art Fair: There are No Artists Here
by Lucia Simekby Lucia SimekThe yearly Artforum society column relaying the DAF goings-on makes for some of the year’s best navel gazing.
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To fully appreciate the works, one must be vulnerable to the guilt they elicit.
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The Houston photographer has a knack for being vulnerable and tough at the same time.
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The inaugural CounterCurrent had its hiccups, but it wasn't just people getting naked and smearing things on themselves.
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As with a whole sub-genre of Mexico-violence art, Aragón's hand-drilled portraits shove the violence straight into your face.
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In the light of the spring sun, Houston's landscape of textured surfaces and hand-painted signs is open for viewing.
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BlogGlasstireReview
Rebecca Carter: Sleep Architecture and the Dream House
by Andy Amatoby Andy AmatoFormal fragility becomes the ethereal content of conversations past, places lived, at RE Gallery in Dallas.
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History is built from stories; Hubbard and Birchler ask us to pay attention to the role that filmmaking plays in its construction.
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Why the phenomenal success of Mexico-City-based English expat Melanie Smith? Because her work approximates perfection.
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If this trend continues, next year there will be nothing left to ridicule.
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These filmmakers prefer visual noise to clear pictures. The effect is like traveling across interesting landscape with a dusty windshield.
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We can enter Lê's semi-permeable walls of the past only with our eyes, much in the way we construct a memory: lacy bits of fact forming a vague half-truth in our minds.
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What emerges from the uncensored, anonymous collective conscious? It’s a whole lot of love, sex, violence, monsters, animals, and fantastical, childlike absurdity.
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