William Sarradet reviews recent exhibitions at Sweet Pass Sculpture Park, Cluley Projects, and Nasher Sculpture Center in Dallas.
William Sarradet
-
-
Today: Sunken signs
-
A recap of a performance by the Austin troupe Shaboom!, as part of Fusebox Festival 2022.
-
"This is the East Austin I remember during younger days of taking road trips to see obscure music in the state’s capital."
-
William Sarradet writes about five recent exhibitions in San Antonio, Austin, and Dallas.
-
The decision to comment or not comment on what is happening is now a constant, because the 24 hour news cycle has become global.
-
Whereas other markets make a distinction between a studio practice (fine art) and craft (skill-based technique), in El Salvador the distinction seemed to instead be closer to fine art production versus fabrication.
-
In El Salvador, national pride comes with criticism. It is another one of the nation's binaries: the invitation to discuss such personal qualms, coupled with an assumed intimacy for the guest.
-
FotoFest’s choice to show Leo Ramadinha’s voyeuristic imagery of young people participating in COVID-safe online Zoom raves is surprisingly transgressive.
-
William Sarradet on recent exhibitions in Dallas, including shows at Conduit Gallery, the Goldmark Cultural Center, Site 131, and more.
-
Today: Monuments of Progress
-
William Sarradet talks glassblowing with San Antonio artist Justin Parr.
-
William Sarradet on the YouTuber Drew Monson, the new Matrix movie, and the animated film "Belle."
-
Today: Marbles
-
William Sarradet writes about recent San Antonio art exhibitions, performances, art walks, and more.
-
How do people cope under circumstances that deny explanation? How does belief operate?
-
Review
Explaining Invisible Things: Jennifer Ling Datchuk at the Houston Center for Contemporary Craft
Jennifer Ling Datchuk’s exhibition of sculptures, many of which are from this year, follows the artist’s credo: to explain invisible things.
-
William Sarradet on "Christmas Carol 2060: Tanline Steamroller," a recent play at the Museum of Human Achievement in Austin.
-
The broadway production succeeds because it requires so little explanation: cats are just cats.
-
As the year closes, I've traveled to San Antonio for a second time in 2021. The city seems to be much more online this time around, or perhaps I’ve just spent more time on my feet.