Jessica Fuentes on how El Refugio, a new artist-run space in Fort Worth, is building a community through art shows and musical performances.
Review
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William Sarradet writes about recent exhibitions at Foto Relevance, SITE Gallery, and Erin Cluley Gallery, and a performance at Lawndale.
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Review
Review: “Common Occurrences: Four Korean Artists in the U.S.” at UT Permian Basin
by Liz Kimby Liz KimWhat does it mean to be ethnically Korean in the context of rural Texas, where one is surrounded by ranching and oil?
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Barbara Purcell on Yoonmi Nam's ability to create delicate reminders of lasting impermanence.
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Review
“Homes & Gardens: Lance Letscher Collages” at the McNay Art Museum, San Antonio
by Ashley Allenby Ashley AllenAshley Allen on Austin artist Lance Letscher's collage works, which comment on our built and natural environment.
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Review
Distorted History: FotoFest’s 2022 Biennial, “If I Had a Hammer”
by Britt Thomasby Britt ThomasBritt Thomas reviews FotoFest's 2022 Biennial exhibition "If I Had a Hammer," on view in Houston through November 6, 2022.
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Review
The Future is Past is Now: “Christopher Blay / SpLaVCE Ship” at Barry Whistler Gallery, Dallas
Megan Wilson Krznarich on Christopher Blay's otherworldly look at our past, present, and future.
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Review
“Ellsworth Kelly: Postcards” at the Blanton Museum of Art, Austin
by Lydia Pyneby Lydia PyneLydia Pyne on Ellsworth Kelly's smaller-scale, lesser-seen collages at the Blanton Museum of Art.
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Review
SLAY: Artemisia Gentileschi & Kehinde Wiley at the Kimbell Art Museum, Fort Worth
by Joan Davidowby Joan DavidowJoan Davidow reviews the Kimbell Art Museum's exhibition "SLAY," which pairs two interpretations of the biblical story of Judith and Holofernes.
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Barbara Purcell on a solo exhibition of work by longtime Austin artist Sarah Canright, on view at DUSTY.
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Review
A Technological Dream: “Cynatica Conductor” at FL!GHT Gallery, San Antonio
by Ashley Allenby Ashley AllenAshley Allen reviews A.M. Architect's immersive and interactive video projection piece "Cynatica Conductor," on view at Fl!ght Gallery in San Antonio.
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Review
Circles of Creativity: Matt Devine, Udo Nöger, and Ian Rayer-Smith “Crush” it with New Artworks
Jacky Cortiaus on a Houston gallery exhibition that explores themes of unity, wholeness, and cyclicality.
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Caroline Frost on Rachel Wolfson Smith's examinations of our collective past, present, and future.
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William Sarradet on "Root of Two," an exhibition by Israeli composer and sound artist Maya Dunietz at the Bemis Center for Contemporary Arts in Omaha, Nebraska.
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Review
“Beauty and Ritual: Judaica from the Jewish Museum, New York” at the Museum of Fine Arts, Houston
Melissa Mednicov writes about her personal experience with and interpretation of a show of Jewish art and objects on view in Houston.
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Megan Wilson Krznarich on how the exhibition "Women Painting Women" seeks to expand our understanding of women artists.
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Garland Fielder on Nick Vaughn and Jake Margolin's elegant and moving exploration of long-forgotten lives.
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William Sarradet writes about a documentary series that follows a group of hopeful anarchists attempting to start anew in Mexico.
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Brandon Zech on the boundary-defying work of a major 20th century artist.
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Megan Krznarich on how artist Anna Mavromatis' works trace the ideas about and status of women in American culture.