Review

Jessica Fuentes on how El Refugio, a new artist-run space in Fort Worth, is building a community through art shows and musical performances.

William Sarradet writes about recent exhibitions at Foto Relevance, SITE Gallery, and Erin Cluley Gallery, and a performance at Lawndale.

What does it mean to be ethnically Korean in the context of rural Texas, where one is surrounded by ranching and oil?

Barbara Purcell on Yoonmi Nam's ability to create delicate reminders of lasting impermanence.

Ashley Allen on Austin artist Lance Letscher's collage works, which comment on our built and natural environment.

Britt Thomas reviews FotoFest's 2022 Biennial exhibition "If I Had a Hammer," on view in Houston through November 6, 2022.

Megan Wilson Krznarich on Christopher Blay's otherworldly look at our past, present, and future.

Lydia Pyne on Ellsworth Kelly's smaller-scale, lesser-seen collages at the Blanton Museum of Art.

Joan Davidow reviews the Kimbell Art Museum's exhibition "SLAY," which pairs two interpretations of the biblical story of Judith and Holofernes.

Barbara Purcell on a solo exhibition of work by longtime Austin artist Sarah Canright, on view at DUSTY.

Ashley Allen reviews A.M. Architect's immersive and interactive video projection piece "Cynatica Conductor," on view at Fl!ght Gallery in San Antonio.

Jacky Cortiaus on a Houston gallery exhibition that explores themes of unity, wholeness, and cyclicality.

Caroline Frost on Rachel Wolfson Smith's examinations of our collective past, present, and future.

William Sarradet on "Root of Two," an exhibition by Israeli composer and sound artist Maya Dunietz at the Bemis Center for Contemporary Arts in Omaha, Nebraska.

Melissa Mednicov writes about her personal experience with and interpretation of a show of Jewish art and objects on view in Houston.

Megan Wilson Krznarich on how the exhibition "Women Painting Women" seeks to expand our understanding of women artists.

Garland Fielder on Nick Vaughn and Jake Margolin's elegant and moving exploration of long-forgotten lives.

William Sarradet writes about a documentary series that follows a group of hopeful anarchists attempting to start anew in Mexico.

Brandon Zech on the boundary-defying work of a major 20th century artist.

Megan Krznarich on how artist Anna Mavromatis' works trace the ideas about and status of women in American culture.