Feature

This week: an exhibition of midcentury sculptures and works on paper in Fort Worth, a regional biennial in Amarillo, a solo exhibition focusing on the color red in Houston, and more.

Kim Sandoval escribe sobre la Flower Shop Residency, un nuevo programa de residencias artísticas en Brownsville, Texas, fundado por Jesus Treviño.

A video tour of an exhibition by artist Randy Twaddle, on view at Moody Gallery in Houston.

A video tour of an exhibition by Austin-based artist Bethany Johnson, on view at Moody Gallery in Houston.

Erin Keever talks with Sandy Skoglund about her practice, her research, and her current exhibition at Bale Creek Allen Gallery in Fort Worth.

Caroline Frost reviews Northern-Southern's exhibition "The Source," featuring work by artists Lauren Moya Ford and Evan Horn.

Brandon Zech talks with special guest Jon Revett about life in the Texas Panhandle and about the 50th anniversary of artist Robert Smithson's "Amarillo Ramp."

Ruben C. Cordova reviews the Cheech Marin collection and building, and compares it to the inaugural exhibition of Marin’s collection at the San Antonio Museum of Art in 2001. 

Lyndsay Knecht writes about a new microcinema in Dallas, founded by Tony Nguyen.

This week: an annual weekend of events in Marfa, a collaborative show by artists-in-residence in San Antonio, a solo photography exhibition exploring the breakdown of a relationship in Fort Worth, and more.

Anna Adami talks with ballet dancer and painter Oliver Freeston about his practice, what brought him to making art, and his life in Watauga, Texas.

Doug Welsh writes about the connection between The Orange Show Center for Visionary Art and the nearby University of Houston.

Charissa Terranova reviews the exhibition “Denton Modernism: 1940-1980” at Photographs Do Not Bend Gallery in Dallas.

Elena Rodz reviews the exhibition "En El Frente," a show of Chicano independent publications from the 1960s and 70s, on view at Weil Gallery at the Center for the Arts, Texas A&M University–Corpus Christi.

William Sarradet writes about four feature-length documentaries screened at the 2023 iteration of the Flatland Film Festival in Lubbock.

This week: a retrospective of portraits by a renowned local artist in Houston, a show of abstract works created across three decades in Galveston, a celebration of Black joy through photorealistic portraits in Dallas, and more.

Emily Lee reviews a solo exhibition by artist Ariel Wood, on view at grayDUCK Gallery in Austin.

Brandon Zech escribe sobre la vida, obra y legado del artista y galerista de Houston Wayne Gilbert.

A video tour of an exhibition by artist Laura J. Lawson, on view at Ro2 Art Gallery in Dallas.

Xan Murphy reviews an exhibition by artist, writer, and translator JD Pluecker, on view at Texas State Galleries in San Marcos.