Garland Fielder

Garland Fielder searches for the best works on display at Zona Maco during Art Week in Mexico City.

In celebration of the Museum of Fine Arts, Houston's 100th birthday, arts professionals are highlighting their favorite pieces in the museum's collection.

Garland Fielder reviews a show of work that uses urban infrastructure to address charged sites of public interaction.

Garland Fielder reviews "The Bikeriders," a film based on the book of the same name by photographer Danny Lyon.

Avoid Highways, the lovely and well-conceived show of paintings on view now at the West Loop HCC gallery, is in part described by its artist, John Forse, as renditions of…

Garland Fielder reviews a recent piece in Houston that coupled concerns about renewable energy resources and performative art.

Garland Fielder interviews artist Nestor Topchy on the occasion of his solo exhibition, "The Iconic Portrait Strand," at the Menil Collection.

Garland Fielder reviews the exhibition "William Kentridge: In Praise of Shadows," on view at the Museum of Fine Arts, Houston.

Garland Fielder on the tireless, cathartic work of Philip Guston.

Garland Fielder on Nick Vaughn and Jake Margolin's elegant and moving exploration of long-forgotten lives.

Garland Fielder writes about "Dimensions Variable," a performance activation at the Moody Center for the Arts in Houston.

Cyrus has consistently made work that speaks to large, relevant, and topical issues while still managing to startle.

"Architecture is always the jumping off point for me."

McNeil's understatement and structural references belie a strength in subterfuge, like an unsensed yet omnipresent virus lurking in our midst.

Matthew Bourbon populates his paintings with figures handpicked from a variety of sources; viewing them is akin to channel surfing through the vast array of human folly available on late…

Lucas Johnson: Drawings 1971-1990 at Moody Gallery presents the artist’s mid-career works, lyrical renderings of the natural environment Johnson immersed himself in before his untimely passing in 2002. The pen-and-ink…

An interesting work of art can do many things. First and foremost, it can reveal a secret about the world in a way that is both fresh and stimulating, creating…

Ali Fitzgerald – Swan School; The Matriculation  Art Palace April 18 –  June 7, 2008 Depictions of adolescent angst can be powerful—think The Catcher in the Rye. But in the…

As a visual language, abstraction can be as predictable as it is iconic. Depending on your take, the results either seduce with their meditative surface or bore you to tears.…

Texas Gallery, arguably the bluest-chip gallery in Houston, harvesting talents such as Tony Oursler, Chuck Close and Elizabeth Murray among many others over the years, presentes the blandly titled Lines,…