Bouillet, Broz & Pregeant Big Show’s Big Winners

Celan Bouillet,<em>Hanging Gardens</em>, 2014. Acrylic on canvas, 72" x 56"

Celan Bouillet, Hanging Gardens, 2014. Acrylic on canvas, 72″ x 56″

Congratulations to artists Celan Bouillet, Peter Broz & Laura Pregeant, who each were awarded $1000 prizes by this year’s Big Show juror, Erin Elder, Visual Art Director of Center for Contemporary Arts in Santa Fe.

Peter Broz, <em>Tower</em>, 2014. Acrylic on panel, 48" x 20"

Peter Broz, Tower, 2014. Acrylic on panel, 48″ x 20″

Lawndale Art Center’s annual open call juried show netted 981 works submitted by 382 artists this year, from which Elder selected 115 works by 106 artists for the exhibition, which opened Friday night, July 11.  The Big Show will be on view at Lawndale Art Center through August 9, 2014.

Laura Pregeant, <em>Places Unheard</em>, 2014. Mixed media, dimensions variable

Laura Pregeant, Places Unheard, 2014. Mixed media, dimensions variable

Other Artists selected for the exhibition are:

Maurice Abelman, Sarita Ackerman, Isela Aguirre, Mehek Ahmed, Homer Allen, Joel Anderson, Shara Appanaitis, Amanda Armistead, Logan Sebastian Beck, Mack Bishop III, Noreen Borys, Elaine Bradford, Jeff Bradley, Margaret Braun, Kari Breitigam, Betty-Ann Brose, Vernon Caldera, Lindy Chambers, Yvette Chapman, JooYoung Choi, K.C. Collins, Isabel Cuenca, Claire Cusack, Sandra de la Rosa, Kelley Devine, Luisa Duarte, Amber Eggleton, Sandy Ewen, Xenia Fedorchenko, Laura Feld, Vincent Fink, Jed Foronda, Jenn Fox, Diane Fraser, Leticia Garcia, Bryan Gardner, Helena Gijsbers van Wijk, Marsha Glickman, Eva Graf, Carrie Green Markello, The Center for Imaginative Cartography + Research, J.G. Harkins, Linda Harmes, Eric Hartley, J. Hassinger, Luis Hernandez, Keith J.R. Hollingsworth, Michael Horvath, Jordan Hughes, Jeff Jennings, Michael Sean Kirby, Jason Kishell, Alexander Larsen, Riah Lee, Tae Lee, Lulu Lin, Annie Lockhart, David McClain, Palmer Mena, Adrienne Elyse Meyers, Paige Moore, L.A. Naut, Kia Neill, Clark Nunn, Eric Ockrassa, Lee Alice (Hillman) Pablo, Eric Pearce, Kristy Peet, Robert Peña, Jr., Page Piland, Tara Ratliff, Patrick Renner, Leslie Roades, Lillian Roberds, Caroline Roberts, Natalie Rodgers, Penelope Ross, Nana Sampong, Charlie Jean Sartwelle, Nataliya Scheib, Mireille Schellhorn, Caroline Sharpless, Torie Shelton, John Slaby, Taylor Smith, Megan Spacek, Lou Sprecher, Adair Stephens, Todd Stevens, Gerald W. Syler, Kamilia Szczesna, Dwight Theall, Michael Toskovich, Sandy Tramel, Nohelia Vargas, Justin Varner, Amed Ruben Verástegui, Christopher Wallace, Elise Weber, Elizabeth Welch, Dave Wilson, Amy Beth Wright, Justin Zachary

New Book on Texas’ Groovy Midcentury Artists

9780292756595The University of Texas Press has just released a new book, “Midcentury Modern Art in Texas,” by Dr. Katie Robinson Edwards. Packed with never-before-published images, the book covers the important era of art making as practiced by the many Texan artists who were early adapters and interpreters of the movement.

From the 1936 Texas Centennial to the earliest Modernists in Houston to the Dallas Nine to the Fort Worth Circle and beyond, the book promises new research and insight to the state’s relationship to Ab Ex and Modernism. Texas was a real hothouse for the movement, and the book also traces how the Texas artists’ work was received nationally and internationally.

The book is the first in-depth full-length treatment of the subject. Dr. Edwards is currently the curator at the Umlauf Sculpture Garden & Museum in Austin.


Saturday Is Dallas Design District Gallery Day!

ddgd logoEvery Saturday is a good day to visit gallerys in Dallas’ Design District, but this Saturday, get there early: 15 art spaces are participating in the third Design District Gallery Day,  an annual mid-summer art party organized by Brian Gibb of The Public Trust. The first 25 people at each gallery will get a gift bag which includes the official t-shirt and other stuff. Craft beer will flow. At Red Arrow Contemporary, The Industry Print Shop will be screen printing and handing out free prints from 3-8pm.

Other participating galleries include: Alan Simmons Art + Design, Circuit 12 Contemporary,
Conduit Gallery, Craighead Green Gallery, Cris Worley Fine Arts, Dallas Contemporary, Galleri Urbane, Goss-Michael Foundation, Holly Johnson Gallery, Laura Rathe Fine Art, Mary Tomás Gallery, PDNB Gallery, Red Arrow Contemporary, Samuel Lynne Galleries and new comers to the event Christopher Martin Gallery and Zhulong Gallery.

12-8pm, all over the Design District.

ddgd t- shirt

Not bad!

Stunner of a Show Announced for SMU’s Meadows Museum

10DuquesadeAlbadeblancoGoyaVia the Dallas Morning News: SMU’s Meadows Museum has announced that next year it will show a singularly impressive collection never before exhibited outside of Spain. In what will be the most important show in the 50-year history of the Meadows (next year is its anniversary), The House of Alba collection is made up of priceless and rare works spanning 500 years of collecting by one illustrious and very well-connected Spanish family. The collection up to now has been held in the family’s three private palaces across Spain.

The collection includes paintings by Goya, Rubens, Renior, Titian, Velasquez, and others, plus “…16th-century tapestries by Willem de Pannemaker and 19th-century furniture created for Napoleon III. Selections also include illuminated manuscripts, books, historic documents, miniatures, antiquities, prints, sculptures and drawings. Among those will be documents related to Christopher Columbus.” One such document is Columbus’ personal handwritten list of sailors on board the Santa Maria in 1492.

I’ll call it now: This will be, deservedly, the most well-attended exhibition ever at the Meadows. The show also helps mark the 100-year anniversary of SMU. The curator for the exhibition is Dr. Fernando Checa Cremades, the former director of the Museo Nacional del Prado in Madrid. “Treasures from the House of Alba: 500 Years of Art and Collecting” opens April 18 and runs through August 16, 2015.

(photo: painting by Goya, courtesy House of Alba Collection and Meadows Museum)

Texas Art Teacher Dies in Car Crash Leaving Museum

Joey Doyle headshotAfter picking up student artwork from a Glassell School of Art exhibition, long-time Aldine ISD art educator Joseph Doyle was leaving the Museum of Fine Arts, Houston (MFAH) yesterday morning when he swerved into traffic, hit another car, and struck a tree, reports KPRC. Some witnesses report that Doyle was slumped over the wheel before the crash, but it is not yet known if he suffered from some sort of a medical issue.

Doyle was a Texas arts educator for thirty years and was Aldine ISD’s program director for Visual Art. Since 2000, he served as director of Texas Art Education Association’s Visual Arts Scholastic Events (VASE). Doyle was an award-winning teacher and administrator and, in 2005, was named Texas Art Educator of the Year.

A MFAH representative told KPRC that staff members recovered the artwork from the car in order to return it to the student artists.

The Galveston Arts Center’s New Director Announces Palace Revolution

elliot lessing 1The Galveston Arts Center, still in the midst of a years-long capital campaign for renovating its original building, has hired Elliot Lessing as interim director, and in his few weeks on the job he’s curated a show that will open in GAC’s current space in July.

Lessing, also an arist, comes to Galveston via Los Angeles and San Franciso; he’s been an independent curator for 14 years and has experience in non-profit and artist-run spaces, primarily in San Francisco.

Lessing says of his expectations for his time at GAC: “We are aiming to flip the gallery experience from transactional to transformational. I believe galleries are sacred spaces where people can reconnect with their higher selves. A place where people can be reminded that life is cosmic and spiritual. I often tell people that artists and art professionals are not in the business of art. If we are doing our job properly, we are in the business of hope! Art should create a connection and an emotional response. In many ways we are actually in the healthcare field. We are about taking care of people’s spiritual, emotional and intellectual well being.”

Those are some words, right there.

GAC’s first show under Lessing is an international group show called “Palace Revolution” and will feature, among others, Bill Barminski (Los Angeles), Andrea Geyer (New York), Floria Gonzalez (Mexico), and Paul Moore (Belfast). It opens Saturday, July 12.

UPDATE: The GAC’s previous show, a two-person exhibit of prints by Luis Jimenez and Ron Adams, had been scheduled to run through July 6, but was taken down early and the works returned to the respective galleries without notice, which means that the GAC did not have a show up over the 4th of July weekend, one of their busiest for visitation during the year. Meanwhile, the GAC’s curator, Clint Willour, has been away on medical leave and his return date has yet to be announced.

(photo: Galveston Arts Center)

New Houston Venue: Museum of Drawing Has a Location (for One Night Only)!

It was pretty exciting when the Museum of Drawing (MOD) announced its arrival into Houston’s art scene a few years ago. It seemed as if they were just a grant or two away from choosing a building location in order to serve its mission: “to exhibit the origin of the line, the depth of drawing and the evolution of the line coming to life in modern and contemporary forms of art in media.” There were indeed a few cocktail fundraisers and then MOD seemed to go quiet.

It looks like a museum.

It looks like a museum.

But MOD is now presenting its inaugural exhibition, appropriately titled All Quiet: Same As it Never Was, featuring collaborative work by University of Houston alumni Joe Ives and Dan Fabian. The show will be on view for one night only (Wednesday, July 30, 6-8pm), hosted by Audi Central (2120 Southwest Freeway). That’s a car dealership showroom.

Well, it’s a start. Let’s hope it’s the start of a new cool museum.

UTD’s Art Barn is Safe For the Moment

10170897_10152166725238737_6196255310860791433_nAfter months of art community protest (and in the wake of the Rice Art Barn demolition) it looks like the administration at University of Texas at Dallas has stayed the pending execution of the campus’ beloved Visual Arts Building, a.k.a. the Art Barn, the rambling, open-plan metal building that has been the heart of UTD’s art department and exhibition space since 1976, and was most certainly inspired by the 1969 Rice building.

In the wake of opening a new $60 million ATEC (Art and Technology) building to replace it (and you should understand that UTD’s administration does little to meaningfully separate the two disciplines), the powers that be have conceded that the new space doesn’t make room for sculpture or printmaking. Furthermore, as the beleaguered UTD art community has pointed out in the years since the announcement of a new building was made, the ATEC building doesn’t have a dedicated space for discrete exhibitions. The community fears that losing the Art Barn, an AIA-award winner, is losing ground for art on campus, and all the history that goes with it.

The administration states that bringing the Art Barn up to safety code for longterm and heavy use at this point is expensive, and has played with the idea of scrapping it but building something new to replace it. But for now the Art Barn stands and will be in use (minus the mezzanine level, which is boarded up) this fall. It sounds like finding the funds through donations and like would be mandatory to keep the Art Barn standing long term.

(photo: Dallas Morning News)

Snoop Around City Hall for a Houston Art History Lesson

Randy Tibbits thinks we should all know a bit more about the rich history of Houston’s art scene. Those who read his Houston Press article, “MFAH and the Menil Are Depriving Us of Local Art,” last April may have also read Devon Britt-Darby’s snappy response in Arts+Culture Texas called “Great and/or Mediocre Houston and/or Texas Art of the Past and/or Present in Houston Museums Now!” Now, there’s a chance to get in on the argument with an exhibition called Houston Founders at City Hall.

Dorothy Hood, Crossing the Great River, c. 1972

Dorothy Hood, Crossing the Great River, c. 1972

The Mayor’s Office, in conjunction with William Reaves Fine Art, has organized the show of Houston painters from the 1920s through the 1970s (also serving as co-curators were TSU’s Dr. Alvia Wardlaw and the Houston Public Library’s curator Danielle Burns). There’s tons of work by folks like David Adickes, John Biggers, Dorothy Hood, Richard Stout, and Dick Wray. The exhibition runs through October 1 but, since it is installed throughout City Hall’s working spaces, viewing is by appointment only, except during the few scheduled talk and tours.

Tibbits himself will be giving the next talk, called “Houston Artists of the Early Twentieth Century,” this Friday evening at 5pm. For more information on the exhibition and the scheduled events, go here.

Dallas Arts District Continues to Expand with Restaurants, a Grant Foundation and Public Sculpture

01hallaerialThe five-acre area behind the AT&T Performing Arts Center in the Dallas Arts District is being developed by Craig Hall, a DFW-based developer who is married to Kathryn Hall, the former U.S. ambassador to Austria.

The two-phase project, called Hall Arts, will be a mixed-use site on two city blocks with two restaurants (including Dallas super-chef Stephen Pyles’ new place) and another yet-unnamed restaurant, as well as various public sculpture projects by yet-to-be-determined Texas and international artists. The first phase is scheduled to open sometime in 2015.

According to the Dallas Morning News, “Because the Halls own wineries in California under the rubric of Hall Wines, they cannot legally own a building in Texas that contains a restaurant that sells alcohol. So, they have given up being the landlord of Pyles’ restaurant and the other one to the nonprofit Communities Foundation of Texas.”

The foundation will take money collected from rent on the restaurants and package and give out grants to Dallas art organizations. The Halls will oversee the initiative and say that all kinds of art-based non-profits, large and small, will be considered.

This isn’t the Halls first time to promote art publicly. Craig Hall already owns the Texas Sculpture Garden at his Hall Office Park in Frisco. It’s open to the public and features 165 works by local and international artists including Frances Bagley and James Surls.

(photo: Dallas Morning News)

The Masters of the Representational Art Universe to Converge on Midtown Houston Tonight!

By the power of the grayscale...I Have the Power!!!"

By the power of the grayscale…I have the Power!!!

Abstract painters and conceptual artists: beware! The Masters of Representational Art (yes, that’s the name of the group) have been meeting up once a month to eat pizza and strategize their takeover of the art universe. Or, as founder Elizabeth Cencini innocently explains to Your Houston News, “I feel there are already strong art circles within Houston in abstract, expressionism, conceptual art and performance art. However, as a representational artist who is traditionally trained, I find it hard to meet like-minded artists who want to continue the traditions of the old masters.”

It’s time to choose sides. Artists who wish to join forces with the Masters can meet them tonight at Piola Houston Italian Restaurant (3201 Louisiana Street) at 7:30pm.

European Censorship: Google’s Missing Links

Censorship! AAAAAAA!

Censorship! AAAAAAA!

Google has begun removing links to websites in Europe, complying with a May European Court of Justice ruling that individuals have the “right to be forgotten” and may request the removal of embarrassing, irrelvant or outdated search results they don’t like. According to the company, it has gotten 70,000 such requests since it put a form online May 30, among them a link to a Guardian (UK) story about battling Post-it art by French office workers. The links remain visible on Google’s US website.

Pushback from the British press has been fierce and immediate. British MailOnline publisher Martin Clarke said, “These examples show what a nonsense the right to be forgotten is. It is the equivalent of going into libraries and burning books you don’t like. MailOnline intends to regularly publish lists of articles deleted from Google’s European search results so people can keep track of what has been deleted.”

Funnel Tunnel’s a Keeper, Says City; Painting Party Planned

funnel tennel 2Art League Houston has announced that the City of Houston has authorized an ordinance that will allow Patrick Renner‘s Funnel Tunnel to remain on the median of Montrose Blvd. through January 2015. Dedicated on August 10, 2013, the piece was originally approved by the city for a three month run, with the option for two three-month extensions.

But the 180-foot long trumpet woven from reclaimed lumber has proved as durable as it is popular. It was recognized as one of the year’s best pieces of public art at the 2014 Americans for the Arts conference, and has gathered several other awards, featured in hundreds of articles and uncounted thousands of photographs, prompting the city to keep it longer.

Some of the piece’s woven wooden slats need spiffing up, though,  so the Art League is holding a Funnel Tunnel painting party on Saturday July 12 from 10am- 3pm in the back garden of the ALH residency house at 1003 Bomar St., Houston. All the painting supplies will be provided; just bring is yourself, your creativity and some old clothes. Lunch and refreshments will be provided.
funnel tunnel
This will be the second painting party for the piece; volunteers helped paint it during its original installation last July.

Early Announcement from the Texas Art Fair: Who We Know is on Board for 2014 So Far

fredfraisThe Texas Contemporary Art Fair has announced some of its growing exhibitor list for 2014, which will be in its fourth season this September at Houston’s George R. Brown Convention Center.

This art fair features mainly Texas galleries with a smattering of national galleries (and of course there’s plenty of programming around the fair iteself).

So far there aren’t a lot of surprises, which is not a bad thing.

Among Houston spaces that are reupping: Art Palace, David Shelton, Moody, and Inman. No word on fantastic non-profit Rice Gallery?

William Campbell makes the trip down from Fort Worth, and The Public Trust from Dallas.

Austin’s Dutton is on the list but no word yet from Lora Reynolds, who attended last year.

From the two coasts so far: Rosamund Felsen from LA and Fredericks & Freiser from New York. No word yet on return visits from Mark Moore (LA) or Freight + Volume or DCKT out of NY. But it’s early days.

(photo: John Wesley, Woman # 4, via Fredericks & Freiser and Texas Contemporary Art Fair)

Overnight painting heist foiled in Houston UPDATE!

Screen Shot 2014-06-27 at 8.50.53 AMOvernight in Houston security guards at Chase Tower downtown stopped some well-dressed thieves from stealing a painting hanging in one of the common areas of the building.

The men dressed in business casual talked their way past guards by claiming they worked in the building, but once they were in they nabbed a large painting (it looks to be a beach landscape).

The guards spotted the men on a security camera, gave chase, and they ultimately dropped the painting outside. They were caught and detained by HPD officers who were in the area; the men will be charged with felony theft. The painting was recovered.


The painting, which hung outside the Alonti Cafe in the underground tunnel system, was commissioned in the 1990′s from artist Joan Steinman. Harwood Taylor of Gremillion & Co. Fine Art, which represents Steinman’s work in Houston, said the piece was worth $18,000-$20,000.  KPRC reported that  the two alleged thieves, Juan Noriega, 25, and Austin Brown, 24, appeared in front of a Houston judge on July 3 and were charged with theft. Brown’s attorney claimed his client didn’t intend to steal the painting—it was lying on the floor and he assumed it was trash!

The Late Michael Brown’s Freaky Art Collection Flies Off the Block at Webster’s Auction Palace

622x350-1If a man’s art collection is a window to his soul, then one that recently hit the auction block in Houston leaves us scratching our heads. It turns out that Houston’s notorious late hand surgeon, Michael Brown, was an art collector. Here we might insert sayings like “The heart wants what it wants” or “I don’t know much about art but I know what I like” or “There’s no accounting for taste”; the hodgepodge of paintings might or might not tell us something along those lines about the man beyond his troubled criminal past.

The high-profile (through his TV commercials, anyway) Brown died last year while in a coma after a semi-botched suicide attempt. He was about to start serving jail time for assaulting a flight attendant, though that charge was just the latest in his history of abuse on past wives and other erratic behavior. After his death his houses and storage space were accessed and it turns out he owned a lot of paintings, many of which have been auctioned off as part of bankruptcy proceedings in recent weeks.

According to Houstonia Magazine, Brown’s favorite painter was “a Russian woman calling herself Anastasia the Great who specializes in customizing the interiors of luxury cars and was recently arrested for stealing items from Brown’s estate.” He had evidently packed his various homes with this kind of thing; besides the work of Anastasia, he had pieces by all kinds of questionable figures who tended toward pastiche of other kinds of work, like old Dutch still lifes, Rubens, and cityscape Impressionism. You can see some of it here. I would suggest the work was on par with Thomas Kinkade but without the gravitas. (That is a joke.)

At any rate, the collection has been sold off at Houston’s Webster’s Auction Palace, so people inexplicably did indeed buy it.

(photo: Houston Record Chronicle)

How to Make Art Out of Homeless People!

BaronetOn July 1, artist and SMU advertising professor Willie Baronet began a month-long journey, from Seattle to New York, purchasing signs from homeless people. Baronet has been collecting these signs for 21 years and, while he admits some ethical stickiness to the project, he meets and chats with the signmakers and lets them set their own prices (usually $5 to $25).

In 2009, Baronet had his first solo art exhibition at Deep Ellum’s Hal Samples Gallery. A few years later, he gave a TED talk at SMU, and was profiled in last September’s issue of D Magazine. He is writing a book and is now chronicling this month’s trip on his blog “We Are All Homeless.”

On the very first day of Baronet’s summer journey, Hyperallergic also reported on the Barcelona-based Arrels Foundation that now turns homeless people’s handwriting into typefaces. In an article entitled “Homeless Fonts Are a Feel-Good Fail,” the web journal calls Arrels out for their suspiciously warm and fuzzy video campaign and their vague explanation of where the profits go. For the Arrels Foundation, there is no acknowledgment of the sticky ethics—corporations and advertising firms that buy typefaces from are given “a quality seal identifying the project and so demonstrating their social commitment.”


F2: Grad Student Sculpture Collapses in San Antonio Park. Bummer.

F2, before.

F2, before.

Via the San Antonio Express-News: a public art sculpture designed and built by a UTSA students has partially collapsed in its park location, either from wind, or being climbed on. It’s cordoned off by caution tape until student builders can be recalled from vacation to repair it.

The 40-foot long, 15-foot high spiky dome, titled “F2” was conceived and built by architecture grad students at the University of Texas at San Antonio as part of a class on the fundamentals of parametric design. Their teacher, Lecturer Kevin McClellan, stated that the project was completely student run with his help as the supervisor, along with architect Andrew Kudless. It was unveiled at Travis Park less than a month ago.

F2, after.

F2, after. photo: John Gonzales/San Antonio Express-News

The sculpture is meant to be the first of such projects planned for Travis Park’s “Art in the Park” program initiated by a branch of the city’s development office. (If I had not heard this news I would not have guessed the sculpture was caved in just going by the pics; its new shape could easily have been deliberate. But it really wasn’t, so there’s that.)

Houston’s Ginormous Art Comes to the Small Screen

It’s not really true that everything is bigger in Texas, but those who catch tomorrow night’s Arts InSight on Houston Public Media (TV 8) will be left with the impression that Houston artists believe it.

The show’s host Ernie Manouse will interview Sebastien “Mr. D” Boileau, creator of the recently unveiled Midtown artwork billed as the “biggest mural in Houston.” The episode will also feature artist David Adickes talking about his big ol’ presidents heads. Boileau will discuss the importance of public art; Adickes will talk about Andrew Jackson’s pretty hair.

Arts InSight will air on Thursday, July 3, at 7 pm.

Houston Public Media crew on site at Houston's largest mural. Image via Right: David Adickes' presidents.

Houston Public Media crew on site at Houston’s largest mural. Image via Right: David Adickes’ presidents.

“We had that ‘neatnik’ gene in common.”

mike-smith-2Late last week MOCAtv, a web channel devoted to the goings on at the Museum of Contemporary Art Los Angeles, posted a short but excellent video featuring artist Michael Smith telling his story about his friendship and various collaborations with the late great Mike Kelley. It also features some rare photos, footage, and audio.

The video compliments MOCA’s ongoing Mike Kelley retrospective, and in it Smith recalls first meeting Kelley in 1975 in Ann Arbor, and their occasional collaborations before delving into a project they undertook together in a few years ago, titled “A Voyage of Growth and Discovery”, featuring Smith as his alter ego Baby Ikki. For this, Kelly suggested they take the character to Burning Man and record him wandering the festival and interacting with people for days. Kelley loved the result and together they produced a multi-channel video and sculpture installation (Austin’s Andy Coolquitt was involved as well) around the footage; it was exhibited at the SculptureCenter in New York in 2009.

In the MOCAtv video, Smith is remarkably respectful and honest about Kelley, without getting overly wistful (I really like hearing good artists talk about other good artists), though it’s hard not to find in his recollection of Kelley how much the art world is still reeling from his suicide.

Highly recommended viewing.

(photo: LA MOCA)