Texas Art Travel: Fort Worth
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- U.S. Post Office, 1933, Wyatt Hedrick, 251 W. Lancaster, Downtown. It ain’t called Cowtown for nothing. Cattle helped to grow the early Fort Worth economy and are still an important part of the local culture. So, it’s only natural to find cattle imagery everywhere, including the city’s main post office where limestone-carved longhorn and Hereford cattle heads decorate the capitals of the building’s classical columns. Designed by Wyatt C. Hedrick, one of Fort Worth’s most prominent and active architects, the post office interior is exquisitely ornamented.
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- “Riding Into the Sunset”, 1942, Electra Waggoner Biggs, Will Rogers Memorial Center 3301 W. Lancaster, Cultural District. This life-sized cast bronze statue of Will Rogers, cowboy, humorist and popular film star from the 1920s and 30s, was created by Electra Waggoner Biggs, an oil and ranching heiress who was also an accomplished sculptor. She completed it 7 years after Rogers died in a plane crash. A native Oklahoman, Rogers was good friends with Fort Worth publisher and philanthropist Amon Carter, Sr. The 208-foot tall Will Rogers Memorial Pioneer Tower built in 1936 can be seen in the background.
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- Will Rogers Memorial Center Coliseum, 1936, Wyatt Hedrick, 3301 W. Lancaster, Cultural District The Will Rogers Memorial Center complex includes three main buildings, the Coliseum, the Auditorium, each with identical facades and connected by the Pioneer Tower. All were designed by Wyatt Hedrick and built for the Texas Centennial celebration in 1936. Today, Will Rogers is the site of many national and international equine events and is the home of the annual three-week long Southwestern Exposition Livestock Show and Rodeo.
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- Untitled mural frieze detail, 1936, Kenneth Gale, Will Rogers Memorial Center Coliseum, 3301 W. Lancaster, Cultural District Kenneth Gale’s tile mural frieze at the top of the Coliseum portrays a visual historical narrative of the early settlement of Texas, from native American Indians to the arrival of railroads.
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- Untitled mural frieze detail, 1936, Kenneth Gale, Will Rogers Memorial Center Auditorium, 3301 W. Lancaster, Cultural District. This companion mural above the Auditorium depicts important events in the heritage of the state, including the landing of the Spanish conquistadors and the establishment of the cattle industry. Be sure to walk around to the backside of the Coliseum and Auditorium to see more Kenneth Gale murals on the Exhibition Barns along Burnett Tandy Dr.
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- “Chisholm Trail Cattle Drive”, 1988, Richard Haas, 400 Main St., Downtown. The trompe l’oeil painting of a longhorn stampede on the side of the 1902 Jett Building commemorates the 19th century Chisholm Trail cattle drives that were crucial to the growth of Fort Worth. The three stories-tall painting by Richard Haas includes the dates “1867-1878” in reference to the time period that the famous cattle drives came through town on their way to the Kansas City railhead.
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- Amon Carter Museum of American Art, 1961, 2001, Philip Johnson, 3501 Camp Bowie Blvd., Cultural District. Architect Philip Johnson used native Texas shellstone for the walls of the inaugural Amon Carter Museum in 1961. The back of the building was expanded in 1964 and in 1977. In 1998, Philip Johnson/Alan Ritchie Architects were hired to replace the two expansion projects with a whole new addition that retained the original 1961 structure. The new building which opened in 2001 tripled the museum’s exhibition capacity.
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- Amon Carter Museum of American Art, 1961, 2001, Philip Johnson, 3501 Camp Bowie Blvd., Cultural District. Architect Philip Johnson used native Texas shellstone for the walls of the inaugural Amon Carter Museum in 1961. The back of the building was expanded in 1964 and in 1977. In 1998, Philip Johnson/Alan Ritchie Architects were hired to replace the two expansion projects with a whole new addition that retained the original 1961 structure. The new building which opened in 2001 tripled the museum’s exhibition capacity.
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- “Woman Addressing the Public: Project for a Monument”, 1981, Joan Miro, Kimbell Art Museum, 1972, Louis Kahn, 3333 Camp Bowie Blvd., Cultural District. Joan Miro’s large abstract bronze sculpture greets the visitor outside the entrance of the masterpiece Louis Kahn building. The sculpture was cast in an edition of four in Verona, Italy in 1981. A Renzo Piano-designed addition to the museum is underway and projected to be completed in 2013. Piano has made a career of designing notable museums throughout the world and was the logical choice for Kimbell expansion project–he was working in the architectural offices of Louis Kahn when the Kimbell was on the drawing board.
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- “Constellation”,1983, Isamu Noguchi, Kimbell Art Museum, 3333 Camp Bowie Blvd., Cultural District. Renowned sculptor Isamu Noguchi created “Constellation” in honor of his friend, Louis Kahn. Noguchi’s four massive basalt rocks were sculpted and personally sited by him on the south side of the museum.
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- Modern Art Museum of Fort Worth, 2002, Tadao Ando, 3200 Darnell St., Cultural District. It’s coming up on ten years since Tadao Ando’s stark showstopper of a building opened, but the architectural faithful are still flocking to see it. The poured concrete and glass building is composed of a series of five pavilions of cathedral proportions, with a large pond wrapping around the back of the museum. Ando acknowledges that he looked to Louis Kahn’s nearby Kimbell building for inspiration.
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- Fort Worth Museum of Science and History, 2010, Legorreta + Legorreta, 1600 Gendy St., Cultural District. Bright color is a key element here, as it is in all buildings designed by the internationally acclaimed Mexican architect, Ricardo Legorreta. The giant 60-foot lantern on top of the entrance to the Fort Worth Museum of Science and History echoes the nearby Pioneer Tower at the nearby Will Rogers Memorial Auditorium. The museum’s interior spaces feature indoor/outdoor courtyards that are in constant visual flux from the natural light that floods the spaces.
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- National Cowgirl Museum and Hall of Fame, 2002, David M. Schwarz Architects,1720 Gendy St., Cultural District. In Fort Worth, all roads lead back to the Old West. In this case, it’s the world’s only museum devoted to the cowgirl. The architecture of David Schwartz’s National Cowgirl Museum and Hall of Fame gives a tip of its hat to its next door neighbor, the Will Rogers Memorial Center.
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- Knights of Pythias Castle Hall, 1901, Marshall Sanguinet and Carl Staats, 315 Main St., Downtown. J.P. Morgan Chase Texas Tower (City Center Tower 1), 1984, Paul Rudolph, 201 Main St., Downtown. Fort Worth is great at mixing the old with the new. Sundance Square, named after Butch Cassidy’s partner, is one of the most successful downtown revitalizations in the country. Many of the buildings in the 14-block entertainment area date back to the turn of the century, including the unmistakable Knights of Pythias Castle Hall. The red brick structure was designed by the legendary Marshall Sanguinet and his longtime partner Carl Staats. Together they had one of the largest and most successful architectural practices in Texas. In the background is the J.P. Morgan Chase Texas Tower designed by Paul Rudolph in 1984. It still dominates the downtown skyline today.
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- Bass Performance Hall, 1998, David Swartz, 525 Commerce St., Downtown. Designed like the classic European opera houses, the 2,000 seat performance hall is known for its superior acoustics. The 48-foot trumpeting angels by Marton Varo are sculpted out of Texas limestone.
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- Fort Worth Water Gardens, 1974, Philip Johnson & John Burgee, 1502 Commerce St., Downtown. This 4-block urban park was designed by Philip Johnson and John Burgee in 1974 to be an oasis in the middle of downtown. The gnarly roots of the 35-year old cypress trees bordering the “Quiet Pool” have begun to bubble up at the base of the trees.
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- Fort Worth Water Gardens, 1974, Philip Johnson & John Burgee, 1502 Commerce St., Downtown. The “Aerating Pool” features multiple fountains and is one of several “microenvironments” designed by Johnson and Burgee to be a “playground for the senses”. The Gardens are located next door the Fort Worth Convention Center and the Omni Hotel (pictured here in the background).
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- Fort Worth Water Gardens, 1974, Philip Johnson & John Burgee, 1502 Commerce St., Downtown. The “Active Pool” is the dramatic focal point of the Water Gardens, with a 38-foot drop into a small pool at the bottom. The Gardens, a gift to the city from the Amon Carter Foundation, were used as a location in the 1975 feature film “Logan’s Run” and in the TV adaptation of “The Lathe of Heaven” in 1979.
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- “Man With Briefcase”, 2002, Jonathan Borofsky, Burk Burnett Park, 7th St. & Lamar St., Downtown. Neil P. Anderson Building, 1921, Marshall Sanguinet & Carl Staats, 411 W. 7th St., Downtown. The 50-foot brushed aluminum “Man with Briefcase” is artist Jonathan Borofsky’s homage to corporate life. Borofsky first created his white collar worker image in 1982 and has used it repeatedly in other outdoor sculptures installed around the world. The Neil P. Anderson Building, behind the Borofsky sculpture, was named after the cotton company that was headquartered there in 1921. The former cotton and grain exchange building was designed by Sanguinet and Staats who were based in Fort Worth and were known for their steel-framed skyscrapers. At one point in time, the tallest buildings in Houston, San Antonio, Fort Worth, Midland and Beaumont were designed by Sanguinet and Staats. Many of their buildings still stand, including Houston’s First National Bank Building and the C.F. Carter Building, Austin’s Scarbrough Building, San Antonio’s South Texas Building, and Fort Worth’s Flatiron Building.
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- “Vortex”, 2002, Richard Serra, Modern Art Museum of Fort Worth, 3200 Darnell St. Cultural District. Richard Serra’s imposing “Vortex” is designed to be touched and explored. Inside the 67-foot tall sculpture is an echo chamber which encourages audio responses from the viewer. Made out of 500,000 pounds of untreated Cor-ten steel, this baby isn’t going anywhere anytime soon.
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- “Upright Motive No. 1 (Glenkiln Cross), “Upright Motive No. 2″ and “Upright Motive No. 7″, 1955-56, Henry Moore, Amon Carter Museum of American Art, 3501 Camp Bowie Blvd., Cultural District. The three abstract bronze sculptures by Henry Moore were acquired by the Amon Carter Museum in 1962, a year after the museum opened. Installed in the plaza in front of the museum, the sculptures rest on a granite base, designed in collaboration with the museum’s architect, Philip Johnson.
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- U.S. Post Office, 2008, Hahnfeld, Hoffer and Stanford with Venturi, Scott Brown and Associates, Inc., Wyman Meinzer, University Dr. @ Bailey Ave., Cultural District. This small post office catty-corner from the Modern Art Museum was designed by local architects Hahnfeld, Hoffer and Stanford in association with the esteemed Venturi, Scott Brown and Associates, Inc. of Philadelphia. The mural on the side of the building is a photograph of a Texas thunderstorm by Wyman Meinzer. The bent steel sculpture is what remains standing of a billboard that was ripped apart by the notorious F2 tornado that blew through the Cultural District and into downtown in 2000.
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- Botanical Research Institute of Fort Worth, 2011, H3 Hardy Collaboration Architecture LLC, 1800 University Dr., Cultural District. The sustainably-designed LEED Platinum campus was designed by New York’s H3 Hardy Collaboration Architecture LLC and opened to the public in May 2011. The innovative program for this conservation center includes a planted roof, photovoltaic panels, and a retention pond. Balmori Associates, Inc. of New York is the landscape designer.
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- “Modern Texas”, 2005, Vernon Fisher, Fort Worth Convention Center, 1111 Houston St., 2nd floor by the Ballroom on southside of building, Downtown. One of two super-sized blackboard maps of Texas by nationally-recognized Fort Worth artist Vernon Fisher. This map charts the state’s major cities, highways and prominent Fort Worth landmarks, such as the Fort Worth Live Stock Exchange Building.
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- “Intimate Apparel and Pearl Earrings,” Donald Lipski, Fort Worth Convention Center, 1111 Houston St.,12th St. lobby, 2nd floor of 12th St. entrance lobby, Downtown. 400 cowboy hats were donated by private citizens, including former President George H. Bush and his son Jeb, to New York artist Donald Lipski for his 26-foot wide star-shaped sculpture.
If great cities are measured by their cultural institutions, Fort Worth is extraordinary. Its Cultural District is compact, pedestrian-friendly and internationally famous for the five renowned museums lined up right next to each other. Designed by a stellar roster of blue chip architects, including Pritzker Prize winners Philip Johnson and Tadao Ando, each building has its own distinctive style and character.
Fort Worth is a visually sophisticated city that makes for a great weekend art getaway. Start off on a Friday night at the Modern Art Museum of Fort Worth. The galleries are open until 8 p.m., films are shown at 6 p.m. and 8 p.m. and the museum’s topnotch restaurant serves dinner until 10 p.m. Plus, the awe-inspiring Tadao Ando architecture is at its most dramatic after dark.
The museum’s immense 42-foot high lobby is epic in scale and leaves no doubt that this is one of the largest modern art museums in the world, but gives no hint that it’s also the oldest art museum in the state. Dial back to 1892 when an ambitious group of local women was granted a state charter to start the Fort Worth Public Library and Art Gallery Association. For decades, the Fort Worth Museum of Art, as it was first named, operated out of the downtown library and was the only art game in town.
In 1954, the Fort Worth Art Center was built in the Cultural District to showcase the museum’s permanent collection that had grown to include everything from 19th century landscapes to modern sculpture. When the nearby Amon Carter Museum opened in 1961 and the Kimbell Art Museum in 1972, a handshake agreement between the three museums was made and still exists today. The Amon Carter collects the art of the American West and American art until 1940; the Kimbell concentrates on non-Western art and European art up to 1920 and the Modern Art Museum of Fort Worth, as it was re-named in 1987, collects European art since 1920 and American art since 1940, from Andy Warhol to Gerhard Richter to Cindy Sherman.
Right next door to the Modern is the sublime Kimbell Art Museum which also keeps its galleries and restaurant open late on Fridays with a live jazz combo.
Even though Louis Kahn‘s exquisitely vaulted Kimbell Art Museum opened almost forty years ago, it remains a showstopper of a building. Considered to be among the best designs of Kahn’s long and distinguished architectural career, the highly regarded building and its inspired use of natural light is a work of art unto itself and has changed little since it first opened. A major expansion project designed by Renzo Piano is underway and will be completed in 2013. The museum is open to the public throughout the construction process.
The Kimbell’s hallmark has always been quality over quantity. The permanent collection is small for a museum of its stature, less than 350 works of art, and concentrates on masterpieces of European painting and sculpture, as well as outstanding examples of Pre-Columbian, Asian and non-Western art and antiquities, going back to the third millennium B.C. The museum has one of the biggest acquisition budgets in the U.S., which explains why their holdings include major works by Fra Angelico, Caravaggio, Poussin, Velazquez, Bernini, Rembrandt, Goya, Monet, Cezanne, Picasso, Mondrian and Matisse. Michelangelo’s first painting, “The Torment of St. Anthony,” is one of the museum’s most recent acquisitions.
While the Modern and the Kimbell often get the splashy headlines, the Amon Carter Museum of American Art more than holds its own with an enviable American photography collection, one of the largest in the country, as well as the most important collection of paintings, drawings and sculptures by Frederic Remington and Charles M. Russell. And there’s the elegant Philip Johnson-designed building to boot.
The Carter was built by the Amon G. Carter Foundation to house the 400 Remington and Russells collected by the self-made Carter who became interested in them through his friend Will Rogers, the celebrated cowboy, humorist and film star of the 1920s and 30s.
The Carter’s permanent collection has dramatically broadened in scope to include masterwork paintings by Frederic Church, Winslow Homer, Thomas Eakins, Martin Johnson Heade and William Merritt Chase, along with more contemporary artists such as Georgia O’Keeffe, Marsden Hartley, Stuart Davis, Arthur Dove and Charles Demuth. No matter when you visit, there’s always an exceptional photography exhibition to enjoy.
Only in Fort Worth will you find a museum devoted to the women of the American West. The National Cowgirl Museum and Hall of Fame has in its vaults more than 6,000 photographs and 5,000 artifacts, vintage rodeo costumes and historic clothing items. Recent exhibitions have included historic Texas flags and a unique look at Georgia O’Keeffe through her sketchbooks, camping gear, clothing and photographs.
Architectural buffs have been flocking to the Fort Worth Museum of Science and History‘s new campus designed by the internationally acclaimed architectural firm, Legorreta + Legorreta. Ricardo and his son Victor designed a world-class series of buildings in their signature bright colors, considerably raising the bar in the Cultural District.
Outside of the Cultural District, there is one more museum you don’t want to miss, especially if you’re a fan of Remington and Russell. The Sid Richardson Museum is tucked into a gallery-sized space in downtown’s Sundance Square and features masterworks from the private collection of Texas wildcatter Sid Richardson. Before he died in 1959, Richardson assembled an important collection of paintings by Frederic Remington and Charles M. Russell, along with a number of other Old West artists. The group of Remington nocturne paintings is a particular standout.
GALLERIES AND BEYOND
Even though Fort Worth is one of the fastest growing cities in America, it still feels like a small town and is easy to navigate, so venture out beyond the museums and check out the rest of the city’s visual arts scene. There are a number of interesting non-profit and commercial galleries just outside the Cultural District, including the new Brand 10 Art Space. Don’t forget that Fort Worth is the home of Texas Christian University which has two public art galleries, Fort Worth Contemporary Arts which focuses on innovative contemporary art and Moudy Gallery, a teaching gallery that shows the work of T.C.U. students as well as professional artists. A list of noteworthy galleries is at the end of this article.
Some of Fort Worth’s most rewarding art encounters are in the great outdoors. The Fort Worth Botanic Garden has an extensive collection of outdoor sculpture installations, many of them clustered around the conservatory. While you’re there, it’s worth visiting the Japanese Garden which is designed to be strolled through, covering more than seven acres with a classic 15-stone garden and a moon-viewing deck.
Entering the Fort Worth Water Gardens is like walking inside an enormous water sculpture. Designed by architect Philip Johnson and John Burgee in 1974, the “processional” complex covers four city blocks next to the Fort Worth Convention Center and includes three separate pools, an outdoor theater and over 500 species of plants and trees.
PUBLIC ART
Scattered throughout the city are historic commemorative statues and privately funded outdoor murals and sculptures going back to the 1930s. Take time to walk around the Will Rogers Memorial Center and discover legendary Fort Worth architect Wyatt Hedrick’s Moderne architecture, adorned with enormous W.P.A. tile murals designed for the 1936 Texas Centennial celebration. If you’re lucky, you might run into one of the many international horse shows held there throughout the year.
In 2001, public art got a shot in the arm when the City of Fort Worth adopted a formal public art program, funding it with 2% out of the city’s annual Critical Capital Needs budget. Large-scale works from Donald Lipski and Vernon Fisher were the first two commissions and are installed inside the Fort Worth Convention Center. Fort Worth Public Art has a useful guide with maps and photographs of all the city-owned public art posted on their website (fwpublicart.org).
ARCHITECTURE
Sundance Square, a 14-block entertainment district in the heart of downtown, has a number of restored landmark buildings designed by notable historic and modern architects. One of the oldest is the 1889 Land Title Block building, the work of another venerated Fort Worth architect, Marshall Sanguinet. It’s now the home of the Flying Saucer, part of a chain of draught beer emporiums. Less than a block away is Bass Performance Hall, designed by David Schwarz, which opened to great fanfare in 1998. The two 48-foot angels protruding on the side of the building have become local icons.
The latest architectural feather in Fort Worth’s cap is the LEED Platinum building designed by H3 Hardy Collaboration Architecture LLC for the Botanical Research Institute of Texas (BRIT), an international cultural and scientific center for conservation. It’s the first building in the city to install a “living” roof, covered in flowering Fort Worth prairie plants.
For a comprehensive listing of other significant buildings, visit fortwortharchitecture.com.
EATING
Most museum restaurants have good food but in Fort Worth they have great food. The casual Buffet Restaurant at the Kimbell serves an excellent blackboard weekday lunch and dinner on Friday nights. The Modern’s Cafe Modern, named by Gourmet Magazine as one of America’s best restaurants, is known for its locavore menu and is open for lunch during the week, supper on Friday nights and brunch on the weekends with a full-service bar.
The Cultural District is packed with interesting restaurants. Blue Sushi Sake Grill is directly across the street from the Modern as is the first-rate Eddie V’s Prime Seafood. Just two blocks from the Modern is So7, the city’s bustling multi-million dollar live-work-play entertainment district where you can choose from gourmet hamburgers at Love Shack So7, high-concept Southern at Tillman’s Roadhouse and healthy Mediterranean fare for both vegetarians and carnivores at Terra Mediterranean Grill. Meanwhile, the down-home Fred’s Texas Cafe offers some authentically funky atmosphere.
SLEEPING
Recommended overnight accommodations include The Ashton, a luxury boutique hotel housed in an historic 1915 downtown building and the striking Omni Fort Worth, a deluxe high rise designed by HOK in 2009. The closest hotel to the museums is the Residence Inn Fort Worth Cultural District located next to the Trinity River and in the center of So7. Budget-conscious travelers can find affordable rates at the Fairfield Inn University which is less than a mile from the museums.
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MUSEUMS
Amon Carter Museum of American Art
3501 Camp Bowie Boulevard (Cultural District)
(817) 738-1933
Closed Mondays
Fort Worth Museum of Science and History
1600 Gendy St. (Cultural District)
(817) 255-9300
Closed Mondays
Kimbell Art Museum
3333 Camp Bowie Blvd. (Cultural District)
(817) 332-8451
Closed Mondays
Modern Art Museum of Fort Worth
3200 Darnell Street (Cultural District)
(817) 738-9215
Closed Mondays
National Cowgirl Museum and Hall of Fame
1720 Gendy St. (Cultural District)
Fort Worth, TX 76107
(817) 336-4475
Closed Mondays
Sid Richardson Museum
309 Main St. (Downtown)
(817) 332-6554
Open every day
GALLERIES
Artspace 111
111 Hampton St. (Downtown)
(817) 692-3228
Founded in 1980, this warehouse exhibition gallery, sculpture garden and studio represents top local talent including Daniel Blagg, Dennis Blagg, Nancy Lamb, John Hartley and others.
Brand 10 Art Space
3418 W. 7th St. (Cultural District)
(817) 584-7638
New non-profit gallery featuring contemporary art in all media.
The Bull Ring
112 East Exchange (Stockyards)
(817) 624-2222
Outstanding private collection of early Texas art incongruously displayed in an ice cream/beer emporium.
Fort Worth Community Arts Center
1300 Gendy St. (Cultural District)
(817) 738-1938
When the Modern Art Museum of Fort Worth moved out of their Herbert Bayer-designed building, the Fort Worth Community Arts Center moved in and established an ambitious exhibition program for local and regional artists of all genres.
Fort Worth Contemporary Arts
2900 W. Berry St. (TCU)
(817) 257-2588
Innovative contemporary art from an international context with TCU students helping to stage the exhibits.
Gallery 414
414 Templeton (Cultural District)
(817) 336-6595
Contemporary local artists are spotlighted at this alternative non-profit community gallery.
Moudy Gallery
2805 W. University Dr. (TCU)
(817) 257-2588
Located on the TCU campus, this gallery is the home of the annual juried Art in the Metroplex, open to Dallas/Fort Worth-area artists.
William Campbell Contemporary Art
4935 Byers Avenue (Cultural District)
(817) 737-9566
This long-established West Side gallery has shown contemporary paintings, drawings, sculpture, prints, photography and ceramics by nationally recognized and emerging Texas artists since 1974.
OTHER
Botanical Research Institute of Texas
1700 University Dr. (Cultural District)
(817) 332-4441
City Center Towers
201 Main St. (Downtown)
301 Commerce St. (Downtown)
Fort Worth Botanic Gardens
3220 Botanic Garden Blvd. (Cultural District)
(817) 871-7686
Fort Worth Convention Center
1201 Houston St. (Downtown)
(817) 392-6338
Fort Worth Water Gardens
1502 Commerce St. (Downtown)
Land Title Block Building/Flying Saucer
111 E. 4th St. (Downtown)
(817) 336-7470
Knights of Pythias Castle Hall
315 Main St. (Downtown)
Will Rogers Memorial Center
3401 W. Lancaster Ave. (Cultural District)
(817) 392-7469
RESTAURANTS
Blue Sushi Sake Grill
3131 W. 7th St. (Cultural District)
(817) 332-2583
The Buffet Restaurant
Kimbell Art Museum
3333 Camp Bowie Blvd. (Cultural District)
(817) 332-8451 ext. 277
Cafe Modern
Modern Art Museum of Fort Worth
1600 Gendy St. (Cultural District)
(817) 840-2157
Eddie V’s
3100 W. 7th St. (Cultural District)
(817) 336-8000
Fred’s Texas Cafe
915 Currie St. (Cultural District)
(817) 332-0083
Love Shack So7
817 Matisse, Suite 445 (Cultural District)
(817) 348-9655
Terra Mediterranean Grill
2973 Crockett St. (Cultural District)
(817) 744-7485
Tillman’s Roadhouse
2933 Crockett St. (Cultural District)
(817)850-9255
HOTELS
The Ashton
610 Main St. (Downtown)
(817) 332-0100
Fairfield Inn & Suites Fort Worth University Drive
1505 S. University Dr. (TCU)
(817) 335-2000
Omni Fort Worth
1300 Houston St. (Downtown)
(817) 535-6664
Residence Inn Cultural District
2500 Museum Way (Cultural District)
(817) 885-8250
All photos copyright Christina Patoski.
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Christina Patoski is a journalist and photographer who lives in Fort Worth. A former NPR reporter, she has been published in Newsweek Magazine, The New York Times, Life Magazine, and USA Today. Her photographs have been exhibited in museums and galleries throughout the United States, including the Smithsonian’s Museum of American History. She received a National Endowment for the Arts fellowship grant for her video and performance art which was shown at the Whitney Museum of American Art,the Walker Art Center and the San Francisco Museum of Modern Art.
also by Christina Patoski
- Monks, Like Swallows, Return to Dallas' Crow Collection - April 17th, 2013
- "Norman Bel Geddes Designs America" at the UT Harry Ransom Center - January 2nd, 2013
- "Noble Change: Tantric Art of the High Himalaya" at the Crow Collection - January 1st, 2013
- DAVID BYRNE'S DAY OFF - November 8th, 2012
- FUTURAMA: "Visions of the Future" at the Ransom Center - October 28th, 2012
[...] about how to map out the perfect weekend there, Glasstire hits the highlights in its latest Texas Art Travel feature. There’s some pretty interesting background in there about some of the [...]