Garland Fielder reviews a recent piece in Houston that coupled concerns about renewable energy resources and performative art.

FotoFest, a Houston-based contemporary arts organization, has announced a call for its inaugural “Artist-run, Artist-organized” exhibition series.

The San Angelo Museum of Fine Arts has announced a schedule of events around the opening of the 25th San Angelo National Ceramic Competition on Friday, April 19.

CAM Critical Writing Fellow Seyde Garcia writes about Recess, the CAM breakout performance series at Ruby City

Artspace111’s 11th Annual Texas Juried Exhibition will include $15,000 in prizes and a chance for the winner to exhibit at the gallery.

William Sarradet writes about exhibitions at the New Orleans Museum of Art, the Ogden Museum of Southern Art, and the Contemporary Art Center New Orleans.

This week: a solo show of meticulous architectural sculptures in Houston, an exhibition of over 100 woodblock prints and painted scrolls in Austin, a show featuring punk and New Wave ephemera from two private collections in Dallas, and more.

The Modern Art Museum of Fort Worth’s Board of Trustees has announced the upcoming retirement of the museum’s longtime Director, Dr. Marla Price.

Jessica Fuentes speaks with Richard Henry (Hank) Lee about his long-standing gallery in San Antonio, San Angel Folk Art Gallery.

Following delays, Shahzia Sikander’s temporary art installation at the University of Houston’s Cullen Family Plaza has now been completely installed.

Brandon Zech asks a pertinent question.

Colette Copeland interviews artist Jennifer Battaglia about her solo exhibition at Front Gallery in Houston.

Learn about eclipse festivities at arts organizations across Texas, including events in Dallas, San Antonio, San Marcos, Waco, and more.

Six artists have been selected to participate in this years LINE Residency in Austin.

Ruben Cordova reviews the exhibition “Upward Mobility” by Einar and Jamex de la Torre, on view at the McNay Art Museum in San Antonio.

Brandon Zech and Gabriel Martinez talk about the changing state of Houston's art scene and what the future may bring.

Big Medium, an Austin-based nonprofit art organization, has announced the call for its 2024 Tito’s Prize, which is open to local artists working in any medium.

The Briscoe Western Art Museum in San Antonio is marking its first decade with a new publication that showcases its permanent collection.

Anna De Filippi reviews the exhibition "A Horseshoe Over a Door," featuring Skylar Haskard and Devin T. Mays, on view at F in Houston.

The University of Texas at Austin has named Max Fields, FotoFest’s Curator and Director of Programs, as the new director of its Visual Arts Center.