Imagine if ABC's cheesy After School Specials featured Sesame Street characters whacked out on crack with a dose of Ryan Trecartin’s depravity. That's Elissa Stafford's House Party.
Glasstire
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"Art that cannot rely on the joyous, heartfelt assent of the broad and healthy mass of the people, but depends on tiny cliques that are self-interested and blasé by turns, is intolerable."
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Geometric paintings with a psychedelic feel: playful, energetic, and a bit dizzying.
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Pairing the beautiful with the base, Dijulio makes the common meaningful through degrading symbioses.
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I guess I’m naïve to have expected humility: after all, in cinema, the name of the director shown in the credits is no less real than the flickering light rays forming the actors.
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A drone's-eye view of the unkempt spaghetti of mud bars, marshes, railroads and oilfield equipment that dissolve gradually into the Gulf.
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It was that AHA! moment, as if I woke up from a winter sleep and was alive, feeling Mark Rothko’s art around me. Wonderful. Powerful. Unforgettable. THANK YOU Mrs. de Menil.
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Suzanne Bocanegra’s theatrical symphony included an accordionist, a DJ, a lighting technician, conductor, and fifty amateur violinists.
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Ceramic pots, perfume bottles, shimmery dresses, sea shells, and fur–each one a container, as if for feminine subjectivity itself.
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The eclectic West Texas film festival revs up its projectors for four days of adventurous cinema.
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Like the candy machines and kiddy rides, Trailer relies absolutely on novelty. But, while the novelty lasts, it's fabulous.
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An intelligent and enjoyable look at symbolic thinking and performance art. I encourage you to hurry—the exhibition ends May 3rd.
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Chinelo Ikejimba studied dance and interns at Houston's Contemporary Arts Museum.
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BlogGlasstireOp Ed
Artforum Weighs in on the Dallas Art Fair: There are No Artists Here
by Lucia Simekby Lucia SimekThe yearly Artforum society column relaying the DAF goings-on makes for some of the year’s best navel gazing.
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To fully appreciate the works, one must be vulnerable to the guilt they elicit.
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The Houston photographer has a knack for being vulnerable and tough at the same time.
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