The Nasher’s exhibition features Benglis' choice metal sculptures and fountains that are products of a long conceptual and stylistic evolution.
Review
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Caroline Frost on artist Sara Oppenheimer's recent site-specific public art commission, acquired by Landmarks and on view at UT Austin.
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Reus creates immaculate, highly designed things that are complicated in their beauty and their teleology, mirroring the built environments that most modern, industrialized humans inhabit.
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Review
Greetings from the Land of the Sun: Carolina Caycedo and David de Rozas’ “The Blessings of the Mystery”
Barbara Purcell on an exhibition that examines the wide-ranging effects of land use in West Texas
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Megan Wilson Krznarich on Colette Copeland's familial connection to one of America's most infamous outlaws.
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Review
Review: “Uncovered Spaces” at the International Museum of Art & Science, McAllen
by Liz Kimby Liz KimLiz Kim reviews "Uncovered Spaces," an exhibition centered on female and LGBTQIA+ artists at the International Museum of Art & Science in McAllen, Texas.
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Melissa Gamez-Herrera reseña la exposición de Karla García, que usa los cactus de cerámica como una metáfora de la vida en la frontera Estados Unidos-México.
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Suber’s show is an encapsulation of this spirituality that surrounds the spaces between all of us.
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Ruben C. Cordova reviews the recent solo exhibition of work by artist Shahzia Sikander at the Museum of Fine Arts, Houston.
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Barbara Purcell reviews "The Whispers" by Tarek Atoui, the Suzanne Deal Booth / FLAG Art Foundation Prize winner, at the Contemporary Austin-Jones Center
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Ruben C. Cordova writes about three Southwestern artists, Ricardo Islas, Brandon Maldonado, and Vicente Telles, who recently exhibited at Presa House Gallery in San Antonio.
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In "Drawing Conclusions," on view at Northern-Southern in Austin, artist Tyeschea West offers up ten colorful photographic paintings that create a sort of double exposure of what is known and what is felt about the individuals in her work.
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García takes hold of her own lived experience as a Mexican-American artist and uses the symbol of the cactus to express her deep-rooted love for culture, history and the land.
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Barbara Purcell reviews the 2022 edition of the Whitney Biennial at the Whitney Museum of American Art in New York City.
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Matthew Bourbon visits the Menil Collection exhibition "What I Saw," featuring works by self-taught artist Joseph E. Yoakum.
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Lauren Moya Ford reflects on the recent restaging of the performance "Dances with Dogs" by Forklift Danceworks in Austin.
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Ashley Allen reviews the video "True North" by artist Isaac Julien, on view at Ruby City in San Antonio through July 2022.
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Melissa L. Mednicov writes about the touring Obama portraits at the Museum of Fine Arts Houston, on view through May 30, 2022.
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William Sarradet reviews recent exhibitions at Sweet Pass Sculpture Park, Cluley Projects, and Nasher Sculpture Center in Dallas.
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Matthew Bourbon on a standout work by Robert Milnes