Review

The Nasher’s exhibition features Benglis' choice metal sculptures and fountains that are products of a long conceptual and stylistic evolution.

Caroline Frost on artist Sara Oppenheimer's recent site-specific public art commission, acquired by Landmarks and on view at UT Austin.

Reus creates immaculate, highly designed things that are complicated in their beauty and their teleology, mirroring the built environments that most modern, industrialized humans inhabit.

Barbara Purcell on an exhibition that examines the wide-ranging effects of land use in West Texas

Megan Wilson Krznarich on Colette Copeland's familial connection to one of America's most infamous outlaws.

Liz Kim reviews "Uncovered Spaces," an exhibition centered on female and LGBTQIA+ artists at the International Museum of Art & Science in McAllen, Texas.

Melissa Gamez-Herrera reseña la exposición de Karla García, que usa los cactus de cerámica como una metáfora de la vida en la frontera Estados Unidos-México.

Suber’s show is an encapsulation of this spirituality that surrounds the spaces between all of us.

Ruben C. Cordova reviews the recent solo exhibition of work by artist Shahzia Sikander at the Museum of Fine Arts, Houston.

Barbara Purcell reviews "The Whispers" by Tarek Atoui, the Suzanne Deal Booth / FLAG Art Foundation Prize winner, at the Contemporary Austin-Jones Center

Ruben C. Cordova writes about three Southwestern artists, Ricardo Islas, Brandon Maldonado, and Vicente Telles, who recently exhibited at Presa House Gallery in San Antonio.

In "Drawing Conclusions," on view at Northern-Southern in Austin, artist Tyeschea West offers up ten colorful photographic paintings that create a sort of double exposure of what is known and what is felt about the individuals in her work.

García takes hold of her own lived experience as a Mexican-American artist and uses the symbol of the cactus to express her deep-rooted love for culture, history and the land.

Barbara Purcell reviews the 2022 edition of the Whitney Biennial at the Whitney Museum of American Art in New York City.

Matthew Bourbon visits the Menil Collection exhibition "What I Saw," featuring works by self-taught artist Joseph E. Yoakum.

Lauren Moya Ford reflects on the recent restaging of the performance "Dances with Dogs" by Forklift Danceworks in Austin.

Ashley Allen reviews the video "True North" by artist Isaac Julien, on view at Ruby City in San Antonio through July 2022.

Melissa L. Mednicov writes about the touring Obama portraits at the Museum of Fine Arts Houston, on view through May 30, 2022.

William Sarradet reviews recent exhibitions at Sweet Pass Sculpture Park, Cluley Projects, and Nasher Sculpture Center in Dallas.

Matthew Bourbon on a standout work by Robert Milnes