Review

Donna Tennant reviews a group exhibition featuring works by Houston artists Saran Alderson, Sarah Fisher, Liz Gates, Ashita Sawhney, and Doug Welsh.

William Sarradet writes about two current Dallas exhibitions: a show of works from the collection of Seth Davidow at SITE131, and a show of paintings by Masamitsu Shigeta at 12.26.

Brandon Zech reviews Houston artist Mitch Pengra's first-ever exhibition.

Barbara Purcell writes about her visit to Ugo Rondinone's "Seven Magic Mountains" in the Las Vegas desert.

Jessica Fuentes writes about the exhibition “Avedon’s West,” a museum-wide show reconsidering Richard Avedon's iconic series of portraits.

Leslie Thompson writes about Amy Cutler's exhibition "Past, Present, Progress," on view at Ruby City in San Antonio.

Megan Wilson Krznarich reviews Eduardo Sarabia's immersive exhibition of ceramics, paintings, and other artworks at Dallas Contemporary.

Bucky Miller reviews a solo exhibition by artist Adde Russell, which was recently on view at Commerce Gallery in Lockhart.

Lorena Fernandez reviews the exhibition "Milton Becerra: Kinetic Webs," which is curated by Mari Carmen Ramirez and on view at the Transart Foundation for Art and Anthropology.

William Sarradet writes about the Barbie movie and about recent shows in Dallas-Fort Worth, at the Oak Cliff Cultural Center, the Modern Art Museum of Fort Worth, Pencil on Paper Gallery, and Dallas Contemporary.

Christine Gwillim writes about a suite of performances by chamber music group Agarita at the San Antonio Museum of Art.

Emma Ahmad reviews the exhibition "Full And Pure: Body, Materiality, Gender," on view at the Green Family Art Foundation in Dallas.

Jacky Cortiaus reviews an exhibition of exquisitely detailed drawings by artist Gray Foy, on view at the Menil Drawing Institute in Houston.

Hannah Dean reviews a show featuring five artists who have participated in the Roswell Artist-in-Residence program.

Jessica Fuentes writes about Jay Wilkinson’s solo show “Free Dirt” at Bale Creek Allen Gallery in Fort Worth.

Barbara Purcell escribe sobre la mitad neoyorquina de la exposición "I Am Not Your Mexican" en la Ruiz-Healy Art.

Leslie Thompson reviews a prescient exhibition by Fort Worth artist Corrie Thompson, on view at the Old Jail Art Center in Albany.

William Sarradet writes about the art, new studio spaces, and performances he encountered during a visit to Austin in July of 2023.

Colette Copeland writes about her experience visiting the most recent Meow Wolf installation, "The Real Unreal" in Grapevine, Texas.

Ashley Allen reseña la exposición "I Am Not Your Mexican" en la galería Ruiz-Healy Art en San Antonio.