Leslie Thompson reseña una exposición en el Nasher Sculpture Center que completa el canon del arte de tierra.
Leslie Thompson
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EspañolReview
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Leslie Thompson reviews the exhibition "Trespassers: James Prosek and the Texas Prairie," on view at the Amon Carter Museum of American Art in Fort Worth.
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Leslie Thompson reviews an exhibition at the Nasher Sculpture Center that rounds out the canon of land art.
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On the occasion of the Amon Carter Museum of American Art's exhibition "The World Outside: Louise Nevelson at Midcentury," Leslie Thompson interviews writer and scholar Amy Von Lintel about how Nevelson's time in Amarillo influenced her life and work.
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Leslie Thompson writes about Amy Cutler's exhibition "Past, Present, Progress," on view at Ruby City in San Antonio.
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Leslie Thompson reviews a prescient exhibition by Fort Worth artist Corrie Thompson, on view at the Old Jail Art Center in Albany.
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Review
Competing with Lightning/Rivalizando con el Relámpago: Eamon Ore-Giron at The Contemporary Austin
Leslie Thompson reviews an exhibition featuring 20 years of work by artist and musician Eamon Ore-Giron.
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Leslie Thompson reviews the exhibition "Echoes of Our Ancestors," on view at Kinfolk House in Fort Worth
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Leslie Thompson writes about murals commissioned for East Texas' post offices during the Works Progress Administration.
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Leslie Thompson writes about murals commissioned for Central Texas' post offices during the Works Progress Administration.
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Leslie Thompson writes about the history of the Tougaloo College Art Collections, a selection of which is on view at the Oklahoma City Museum of Art.
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Leslie Thompson writes about murals commissioned in North Texas' post offices during the Works Progress Administration.
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Leslie Thompson interviews artist Sarita Westrup about her first residency, a year-long program that has culminated in a solo exhibition at Arts Fort Worth.
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Leslie Thompson writes about Works Progress Administration murals commissioned for post offices west of the DFW metroplex.
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Leslie Thompson writes about the history of Texas' post office murals, which were commissioned in the 1900s by the Works Progress Administration.