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When it came up that Opie’s conversation could be with her longtime friend Eileen Myles, the anticipation for Off Road immediately doubled, like a small explosion happened at the office.

"Humor is useful as a hook and it puts people at ease, and then once you have people at ease, you can do something else to them."

He was going to test the independence of this “Independent” group.

A painter, sculptor and printmaker, here Magee discusses his life and art by answering seven questions, a number that has recurring significance to his work.

The painting that hangs behind Rainey Knudson's desk was made by a Houston painter who was an artist's artist.

In Richard Linklater’s 2011 film Bernie, there’s a short scene where a man describes the regions of Texas. He goes on easily about the “People’s Republic” of Austin, “the carcinogenic coast”…

Most recently, Allen was the lead artist and project manager of the Yanaguana Garden in San Antonio's Hemisfair Park.

Harjo believes that the best method for engaging viewers—with the goal of effecting social change—is to use humor.

No matter the medium, Lowe's work is characteristically full of contradictions.

Mexico City native Rodolfo Choperena established himself as an active supporter of the San Antonio art scene long before it ever occurred to him to become an artist himself.

For more than a decade, El Paso-based artist Margarita Cabrera has dedicated her art making to venerating the lives of Mexican immigrants

“Camp is the lie that tells the truth.”

"The trick is to orchestrate a project that is easy enough for people with little art experience to participate in while maintaining the visual integrity of the object."

Today there are more than 8,000 members of Esferas Perdidas, a game for marble makers and marble hunters.

Rainey Knudson sat down with the Blaffer's director before she left for San Francisco, to ask about Urs Fischer, renovating on a shoestring, and what she'll miss about Houston.

Saavedra has steadily focused on problems surrounding the divide between authority figures and the marginalized.

Allen manages to capture something essential about the state of Texas in his work, and not in a shit kicking, beer-swilling, dumbly cheeky sort of way.

"I see the dancing as more of an extension of painting; feelings I cannot capture in my 2-D work.”

Upon his retirement as longtime curator of the Galveston Arts Center, Glasstire sits down with Clint Willour to look back over the four decades he's spent helping shape the Texas art scene.

Samandari's goal is to locate a sort of collective soul.