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In Richard Linklater’s 2011 film Bernie, there’s a short scene where a man describes the regions of Texas. He goes on easily about the “People’s Republic” of Austin, “the carcinogenic coast”…

Most recently, Allen was the lead artist and project manager of the Yanaguana Garden in San Antonio's Hemisfair Park.

Harjo believes that the best method for engaging viewers—with the goal of effecting social change—is to use humor.

No matter the medium, Lowe's work is characteristically full of contradictions.

Mexico City native Rodolfo Choperena established himself as an active supporter of the San Antonio art scene long before it ever occurred to him to become an artist himself.

For more than a decade, El Paso-based artist Margarita Cabrera has dedicated her art making to venerating the lives of Mexican immigrants

“Camp is the lie that tells the truth.”

"The trick is to orchestrate a project that is easy enough for people with little art experience to participate in while maintaining the visual integrity of the object."

Today there are more than 8,000 members of Esferas Perdidas, a game for marble makers and marble hunters.

Rainey Knudson sat down with the Blaffer's director before she left for San Francisco, to ask about Urs Fischer, renovating on a shoestring, and what she'll miss about Houston.

Saavedra has steadily focused on problems surrounding the divide between authority figures and the marginalized.

Allen manages to capture something essential about the state of Texas in his work, and not in a shit kicking, beer-swilling, dumbly cheeky sort of way.

"I see the dancing as more of an extension of painting; feelings I cannot capture in my 2-D work.”

Upon his retirement as longtime curator of the Galveston Arts Center, Glasstire sits down with Clint Willour to look back over the four decades he's spent helping shape the Texas art scene.

Samandari's goal is to locate a sort of collective soul.

Chad Dawkins asks the Brooklyn-based artist about what went into this site-specific sculpture commissioned by Blue Star Contemporary and the San Antonio Botanical Garden

The HCCC residency is the only one of its kind in Texas.

This show represent a major milestone for the 27-year-old artist as proof of his artistic growth during a two-year period of concentrated work.

With Mahaffy's work, we experience a sensory shifting that blurs the boundaries between the present and the past, the real and the virtual.

Looks can be deceiving in the flashy and blissful facades of O'Connor's art.