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Christina Rees and Brandon Zech break down the meteoric rise of NFTs.

Meehan holds fast to the internal muscle we all share — the all-too regular, but often forgotten social glue that is behaving with compassion and humanity to all.

These times of isolation — or at the very least, this weird and dangerous year-long disruption — has forced upon us a new awareness of space and of bodies.

Christina Rees and Christopher Blay go into the Houston underground to share shows about Black culture, video art in San Antonio, and all the exhibitions in Texas this week involving water and video.

Donald Judd's concrete works in Marfa look eerily similar to Co-Lab Projects' new open-air gallery space in Austin.

"The current body of work by artist Dario S. Bucheli gives material form through the medium of painting by looking at photographic documentation of paintings on the internet."

"I think the most compelling aspect of an artistic practice is to make a product that combines critical insights of human conditions with a visceral and unconventional beauty."

Featured artists include Angelica Mayorga, Raul Servin, Victor Tello, Israel Rico and Robert Wilkens.

“If I can use art to bring a different perspective that can change people’s minds, or at least get them to acknowledge an issue, I think my role as an artist is a viable one.”

Piwonka takes on the misunderstood world of maleness from a refreshingly unexpected angle.

"I mean, dogs are still good but this cat thing is new for me."

It is not art, but I suspect it may be beautiful.

As March kicks off, I’ve contemplated contemporary art and current events from the past month with thoughts on "timing."

"I heard someone actually scream out [during a performance] 'When is she going to do a magic act?' I was trying not crack up and I thought: this is just perfect.”

This article looks at Huntington’s founding ideals and objectives; the achievements — both good and bad — of the previous two directors; and Kientz’s background and his goals for the HSM&L.

These wonderful sketches are drawn with abandon.

Christina Rees and Brandon Zech on a walking tour show in Houston, the daily lives of our furry companions, and the second parking garage art show we know of in Texas during the pandemic. 

“It’s important for somebody to see their reflection in any way possible. But it’s better when it’s a positive reflection and not a negative.”

The Fort Worth Modern's Price and Karnes traveled to the Met to see the work firsthand before presenting it to the Modern’s acquisition committee, who agreed unanimously on the purchase.

There’s an eerie serendipity to visiting these shows during this ever-unfurling new reality.