Hills Snyder reviews Alex Garland's film "Civil War."
Review
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Donna Tenant reviews an exhibition of new photographic, performative, and textile-based artworks by Sarah Sudhoff at Andrew Durham Gallery in Houston.
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Rosa Boshier González reviews an exhibition of drawings and prints by artist Ruth Asawa at the Menil Drawing Institute in Houston.
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Review
Nature & New Perspectives at the 2024 CAM Perennial Exhibition
by Seyde Garciaby Seyde GarciaSeyde Garcia writes about the interconnectedness of "Vernacular Systems," on view at the Contemporary at Blue Star in San Antonio.
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Review
A Strange Nightmare: the de la Torre Brothers’ “Upward Mobility”
by Neil Fauersoby Neil FauersoNeil Fauerso reviews the exhibition "Upward Mobility" by the de la Torre brothers, on view at the McNay Art Museum in San Antonio.
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EspañolReview
Redefinir la frontera entre México y Estados Unidos: Obras de la “Bienal Fronteriza 2024”
Jessica Fuentes escribe sobre obras de Nortejiendo, Haydee Alonso y Verónica Ibargüengoitia, expuestas en la “2024 Border Biennial / Bienal Fronteriza 2024” en El Paso y Ciudad Juárez.
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Review
The Higgins Armor Exhibition at the San Antonio Museum of Art and Armor Collecting in America
Ruben Cordova reviews the exhibition "The Age of Armor: Treasures from the Higgins Armory Collection at the Worcester Art Museum" currently on view at the San Antonio Museum of Art.
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Jessica Fuentes reviews “Surrealism and Us: Caribbean and African Diasporic Artists since 1940” at the Modern Art Museum of Fort Worth.
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Melissa L. Mednicov reviews the work of abstract expressionist pioneer Janet Sobel, whose contributions to art history are being reevaluated.
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Colette Copeland writes about performances by contemporary Indian artists that address concepts of home, labor, and class.
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Emma Ahmad writes about the historical complexity of bolo ties in her review of "Everybody's Bolos" at the University of North Texas’ CVAD gallery.
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Valentin Diaconov reviews "Hayv Kahraman: The Foreign in Us," on view at the Moody Center for the Arts at Rice University in Houston.
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Review
Performing Paintings: Myra Melford’s Fire and Water Quintet at the Cy Twombly Gallery, Houston
Michele Brangwen reviews a performance by the Fire and Water Quintet, which drew inspiration from the works of Cy Twombly.
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Review
Review: Joe Harjo’s “Indian Removal Act II: And She Was” at The Contemporary at Blue Star, San Antonio
Caroline Frost reviews a show of works by Joe Harjo that confront the impacts the Trail of Tears had on Muscogee women and other Native tribes.
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William Sarradet reviews two exhibitions in Dallas at Liliana Bloch Gallery and Southern Methodist University's Hawn Gallery.
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Avoid Highways, the lovely and well-conceived show of paintings on view now at the West Loop HCC gallery, is in part described by its artist, John Forse, as renditions of…
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Review
Review: “THIS SIDE UP” at the Houston Center For Contemporary Craft
by Doug Welshby Doug WelshDoug Welsh reviews an exhibition in Houston that highlights the undervalued and under-recognized people who make the art world tick.
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Valentin Diaconov reviews the current Fotofest Biennial exhibition that explores critical geographies and conflicts.
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Courtney Thomas reviews "Poe: A Tale of Madness," a collaborative ballet that looks at the tragedy of the life of writer Edgar Allen Poe.
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Review
Review: Paul Hester’s “Prisoners of Masculinity” at Andrew Durham Gallery, Houston
by Ronnie Yatesby Ronnie YatesRonnie Yates reviews a survey of works by longtime Texas photographer Paul Hester.