Despite all that’s wrong in this society it’s the responsibility of the new artists to occur. The explanation that the times and the society are bad is pointless. Probably they’ve…
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Claire Ruud Interviews New Artadia Director Carolyn Ramo
by Claire Ruudby Claire RuudCarolyn Ramo, Artadia’s new director, spent the last 12 years of her career in the New York gallery world, first at Nicole Klagsbrun, then as a production director at David…
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I had the pleasure to travel to Mozambique this summer to visit some friends, who had recently relocated there. We stayed outside the capital city Maputo in the town of…
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David Holzman (L.M. Kit Carson), the protagonist and “filmmaker” of Jim McBride’s David Holzman’s Diary (1967), is nestled in his West 71st Street apartment between movie posters and art reproductions,…
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Everyone was wondering how the Houston Fine Art Fair‘s move to Reliant Center would work out. From what I can tell it was a good idea. It’s a newer space…
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I have to admit that art fairs, in general, are not my thing. They seem exhausting for everyone involved from visitors to the gallery girls working the booths. With 80…
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It wasn’t ’til Sunday morning that I got the point of the Marfa Dialogues, an extended look at art, culture and climate change over Labor Day weekend. We were trooping…
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Galveston Arts Center‘s pop up show of work from Nick Barbee‘s Galveston Artist Residency is at 4411 Montrose through today, Saturday, September 15. It’s in the former Peel Gallery space…
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The Aurora Picture Show’s 9th annual Media Archeology Festival (Thursday through Saturday, Sept. 21-23) premieres a host of unique films and live audiovisual performances that transform everything from magnetic fields…
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To accompany the honor of being selected the 2012 Texas Artist of the Year by Art League Houston, Aaron Parazette has transformed the Art League gallery space with a dynamic,…
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For episode 5 of ‘Gallery Girls’, let’s begin by discussing Maggie’s attempt to leave the clutches of Eli Klein. After taking a quick trip with her boyfriend to visit her…
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Martin Parr’s newish book, Up and Down Peachtree, represents the South’s shiny capital with a mix of mean-spiritedness and generosity that recalls Richard Avedon’s long-ago treatment of the American West.…
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Chuck Ivy presents his 2012 Glasstire Virtual Residency. I consider myself a research artist, developing rules, frameworks and systems with which I investigate media and culture. Through a balance of…
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Let me just start this off by apologizing if this post seems less inspired than my previous four. You see, I’m lucky I remembered what day Monday was this week.…
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Dear Laura Lark, I’ve noticed that gallery employees give me dirty looks whenever I go into the dark recesses of the back room. What gives? Their attitude is ridiculous, and…
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Two just-opened Galveston exhibitions are definitely worth the trip: Clint Willour’s exhibition of drawings by Robert Pruitt at the Galveston Arts center and a group exhibition of artists riffing on…
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A few weeks ago, Artnews’ feature on Gary Tinterow discussed the Museum of Fine Arts Houston’s plans to build a new wing for modern and contemporary art, at a cost…
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Hybrid Forms at AMOA-Arthouse seeks to codify new media as a traditional art medium. With contributions from ten artists, the exhibition is anchored by video innovator Nam June Paik’s Zen…
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With the changing of the seasons comes too the changing of the art climate. In the past year in Austin we’ve seen a flourishing of house and apartment galleries from…
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Director Matthew Akers screened Marina Abramović: The Artist Is Present (2012) before a packed house during his Austin stay as a Texas Filmmakers’ Production Fund juror. While detailing the internationally…