Intro: This year’s honoree for Two x Two for AIDS and Art will be Richard Phillips, who is loved by celebrities and name-brand clothing and makes glossy, highly artificial compositions from…
Betsy Lewis
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Russell Young at the Goss-Michael Foundation
by Betsy Lewisby Betsy LewisWeaving together the movie star and the rock star, Fame holds a place of honor in contemporary art. The Goss-Michael Foundation’s retrospective of the work of Russell Young includes pieces…
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Flex-Us [In Cooperation with Muscle Nation] at Ro2 Art
by Betsy Lewisby Betsy LewisDanielle Georgiou, Danseuse Privee, 2012 and Willie Baronet, Unseen, 2012. Photo by Alisa Levy. Ro2 Art has two spaces in downtown Dallas within walking distance of each other and a…
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“Michael A. Morris: It’s Just Meant to Be” at Oliver Francis Gallery
by Betsy Lewisby Betsy Lewis“It’s Just Meant to Be” is remarkably barebones for a film nerd’s nirvana. It is also visual art for people who wanted Walter Isaacson’s biography Steve Jobs for Christmas and…
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Mark Manders: Parallel Occurrences/ Documented Assignments at the Dallas Museum of Art
by Betsy Lewisby Betsy LewisThe vertical lines of factories electrify the sparse mechanical sensibility of Mark Manders, even as the DMA’s gallery space is drained of color to fit this factory’s demand for the…
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You Visit the Creative Arts Center
by Betsy Lewisby Betsy LewisWelcome to the Creative Arts Center, hidden gem of East Dallas. You are visiting on the first Saturday of classes in the new year, so some of the most popular…
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Laying the Foundation: UNT Art Faculty, 1890-1970 at UNT on the Square
by Betsy Lewisby Betsy LewisOne reason to be captivated by Laying the Foundation: UNT Art Faculty, 1890-1970 is that it takes you far away from the present while leaving you in familiar surroundings. Looking…
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Keith Carter: From Uncertain to Blue at PDNB Gallery
by Betsy Lewisby Betsy LewisPDNB (Photographs Do Not Bend) Gallery isn’t letting a few decades sideline its taste in contemporary photography. Keith Carter: From Uncertain to Blue revisits Carter’s eye on the common folk of small town Texas in…
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FOCUS: KAWS at the Modern Art Museum of Fort Worth
by Betsy Lewisby Betsy LewisBrooklyn artist KAWS hurls the onlooker into a cartoon’s daytime nightmare with effectively targeted film and television favorites, calling forth a sense of the unexpected that is fun and funny but also…
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Nativity Scenes Should Be Colorful, Life-Sized, and Plastic
by Betsy Lewisby Betsy LewisMerry Christmas! The holiday hoopla is drawing to a close and decorations will soon be coming down. This means I will soon drive down Gaston Avenue to discover that my…
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The Index Cards: Vincent Falsetta at The Reading Room
by Betsy Lewisby Betsy LewisWhile others swoon over Vincent Falsetta’s distinctly abstract paintings, The Reading Room’s Karen Weiner swoons over his handwriting, archiving, and documentation. Her small, noncommercial Exposition Park gallery is devoted to…
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stockpile: New Photographs by Dornith Doherty at Holly Johnson Gallery
by Betsy Lewisby Betsy LewisWhen I was little my nana had a picture of Jesus that looked directly at you no matter where you were standing in her bedroom. It was terrifying, a touch…
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Post Pop Punks at Cohn Drennan Contemporary
by Betsy Lewisby Betsy LewisPost Pop Punks proffers many stops in its pop culture parade/group program which, according to the press release, “incorporates popular cultural references, utilizes appropriation, co-opts historical icons, (and) exploits the…
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Knitta, Please: My Girl Crush on Magda Sayeg
by Betsy Lewisby Betsy LewisIn any new issue of Texas Monthly, the first item I turn to is “Object Lesson,” Kristie Ramirez’s regular piece on the trinkets and baubles that notable Texans keep on…
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Amon Carter’s John Marin: Modernism at Midcentury
by Betsy Lewisby Betsy LewisRugged individuals call for rugged environments. John Marin (1870-1953) does not render the mythological status in art history of Picasso or Pollock, but his work might be a missing link…
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Video, Stoners, and Yo Gabba Gabba!
by Betsy Lewisby Betsy LewisH.R. Pufnstuf’s legacy is alive and thriving and hitting the bong. Yo Gabba Gabba!, the children’s television show that airs on Nickelodeon’s Nick Jr. channel, is gaining fans among an…
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“Jennifer Rubell: Nutcrackers” at Dallas Contemporary
by Betsy Lewisby Betsy LewisTo anticipate Nutcrackers, Jennifer Rubell’s freakily constructed mannequin brothel of an exhibition, you might expect to go into an early phase of ribald amusement or something more outright disturbing and…
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40th Anniversary of Afterimage Gallery
by Betsy Lewisby Betsy LewisPhotographic prints have risen steadily in both collector lust and monetary value over the last hundred years, and Afterimage Gallery in Dallas has been a microcosm of the history of…
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I sit here typing on a 15-inch MacBook Pro. I maxed my credit card to get it four years ago and never looked back. There were cheaper laptops out there…
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Celia Eberle + Michael Mazurek at Plush Gallery
by Betsy Lewisby Betsy LewisCelia Eberle: The End of Things (Typed notes for this part because I took so many notes that complete sentences would make this review inappropriately epic for a blog post.)…