This week: a two-person show exploring the impact of the pandemic on human connection in Houston, a solo exhibition rooted in language in Lubbock, a group show that seeks to reshape our relationship to death in San Antonio, and more.

A video tour of the 58th Annual National Drawing & Small Sculpture Show at Cain Gallery, Del Mar College, Corpus Christi.

A video tour of Jonathan Leach's exhibition at Gallery Sonja Roesch in Houston.

Jill Bedgood writes about ecological sustainability in the art world, challenging us to think creatively about the sustainability of art openings and events.

The Art Car Museum, a private institution in Houston dedicated to contemporary art, has announced that it will permanently close in late April 2024.

Megan Wilson Krznarich interviews artist Chloe Chiasson about her exhibition "Keep Left at the Fork," on view at Dallas Contemporary.

Gallery of Dreams, the nonprofit arm of the commercial gallery Fort Works Art, has announced an open call for a summer artist residency program for Fort Worth-based artists.

The Museum of Fine Arts, Houston has announced the appointment of Daniel Kurt Ackermann, PhD as the Director of Bayou Bend Collection and Gardens.

In partnership with Art21, Glasstire is co-publishing films about contemporary Texas artists. The first film is about Trenton Doyle Hancock.

Max Tolleson reviews an exhibition featuring paintings by Yannina Taboada, John Duro, Sean Terrell, and Jenaro Goode.

This coming week, The Menil Collection in Houston will host a conversation between its Senior Curator, Michelle White, and writer and curator Helen Molesworth.

The Art Galleries at Black Studies at the University of Texas at Austin will host its second annual "Why Black Museums" symposium on Thursday, March 7.

Luminaria, a San Antonio-based nonprofit, has opened a call for artists for its 2024 Luminaria Contemporary Arts Festival.

William Sarradet interviews Darcy Neal on the occasion of their recent reunion in New Orleans during a Mardi Gras parade.

Michael Flanagan writes about the GeT Foundation, an initiative supporting art students in the Rio Grande Valley.

Matthew Bourbon writes about an artwork by Terri Thornton, on view in the group show "Decades" at Barry Whistler Gallery.

This week: an exhibition by an artistic duo investigating the multiple levels at which community operates in Austin, a multi-channel video and sound installation in Houston, works from a New Mexico-based private collection in Amarillo, and more.

The Houston Center for Contemporary Craft has announced that it will host the first-ever Texas Art Handling Olympics on March 7, 2024.

The California College of the Arts’ Wattis Institute for Contemporary Arts has appointed Daisy Nam as its next Director and Chief Curator.

Ningún artista despertó un día y dijo de repente “¡de verdad me gustaría decorar una caja eléctrica!”.