Review

Bryan Rindfuss on his five favorite works at the 2023 Material Art Fair in Mexico City.

Bryan Rindfuss counts down eight of his favorite booths at the 2023 Zona Maco Art Fair in Mexico City.

Barbara Purcell reviews the group exhibition "Going Down," on view through February 18 at Northern-Southern in Austin.

Gabriel Martinez writes about Moe Penders' work, which deals with migration, queerness, and translation.

Rosa Boshier González reviews Project Row Houses' survey of artists from the South, guest curated Valerie Cassel Oliver.

William Sarradet writes about recent exhibitions at Ro2 Art and 4DWN in Dallas, and the International Museum of Art & Science in McAllen.

Elissa Yukiko Weichbrodt writes about artist Carlie Trosclair's haunting installation of a home at Project Row Houses.

Bucky Miller reviews Ursula Schulz-Dornburg's book "Huts, Temples, Castles," which documents a diminutive utopia of junk constructed by a group of Amsterdam youths.

Graham Bell reviews David Alekhuogie's exhibition of photographs in Houston.

Colette Copeland reviews San Antonio exhibitions at Fl!ght Gallery, Presa House Gallery, and Artpace, and previews an upcoming show at Sala Diaz.

Barbara Purcell reseña la exposición individual de Consuelo Jimenez Underwood en Ruiz-Healy Art en San Antonio.

Em Goff reviews an exhibition by artist Diane Severin Nguyen, on view at the Contemporary Arts Museum Houston.

Callie Storie reviews the exhibition "A Banquet For Seaweed: Snapshots from the Arab 1980s," on view at the CVAD Art Gallery at the University of North Texas.

Emma S. Ahmad reviews an exhibition at the Irving Arts Center that responds to the recent protests for women's right in Iran.

Ruben C. Cordova writes about the life and career of longtime Texas artist Octavio Medellin.

Rosa Boshier González reviews "Troy Montes Michie: Rock of Eye," currently on view at the Contemporary Arts Museum Houston.

Jessica Fuentes reviews a Dallas exhibition featuring light-based installations and works rooted in kineticism.

Christine Gwillim on how museums can incorporate theater and performance to break down barriers and challenge visitors.

William Sarradet writes about recent exhibitions at Conduit Gallery, SWIM CLUB 수영 클럽, The Nasher Sculpture Center, and PRP in Dallas.

Bucky Miller reviews four photography books published in 2021 and 2022, including a tome on Diane Arbus, a curious book by Michael Yuan, and others.