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Jessica Fuentes reviews “Surrealism and Us: Caribbean and African Diasporic Artists since 1940” at the Modern Art Museum of Fort Worth.

Melissa L. Mednicov reviews the work of abstract expressionist pioneer Janet Sobel, whose contributions to art history are being reevaluated.

Leslie Moody Castro and Jessica Fuentes discuss new art organizations, the appeal of non-urban spaces, and the many changes occurring at institutions across the state.

Colette Copeland writes about performances by contemporary Indian artists that address concepts of home, labor, and class.

Emma Ahmad writes about the historical complexity of bolo ties in her review of "Everybody's Bolos" at the University of North Texas’ CVAD gallery.

This week: an exhibition of collage works exploring Black identity in Houston, a solo show of textile works in Dallas, a group exhibition featuring artists using found objects in Austin, and more.

Ryan Cantu writes about recent changes at the Laredo Center for the Arts and looks at how the space is supporting the city's creative community.

Valentin Diaconov reviews "Hayv Kahraman: The Foreign in Us," on view at the Moody Center for the Arts at Rice University in Houston.

Michele Brangwen reviews a performance by the Fire and Water Quintet, which drew inspiration from the works of Cy Twombly.

Today, we compare Snøhetta's "Canopies" in the Moody Patio of the Blanton Museum of Art, in Austin, to the Supertree Grove at Gardens by the Bay, in Singapore.

Christopher Karr talks with artist Angeles Salinas about her practice, her background, and her MFA thesis exhibition at UTSA.

Caroline Frost reviews a show of works by Joe Harjo that confront the impacts the Trail of Tears had on Muscogee women and other Native tribes.

William Sarradet reviews two exhibitions in Dallas at Liliana Bloch Gallery and Southern Methodist University's Hawn Gallery.

This week: a solo show addressing the effects of machismo culture in San Antonio, an exhibition of works on paper by a pair of a cross-generational artists best known for their sculptures in Houston, a two-person exhibition about growing up and masculinity in Dallas, and more.

Brandon Zech hace una pregunta pertinente.

Avoid Highways, the lovely and well-conceived show of paintings on view now at the West Loop HCC gallery, is in part described by its artist, John Forse, as renditions of…

Doug Welsh reviews an exhibition in Houston that highlights the undervalued and under-recognized people who make the art world tick.

Brandon Zech talks with Texas artist Paul Hester about his over 50-year career taking photographs.

Jessica Fuentes talks with multidisciplinary conceptual artist Celia Álvarez Muñoz about her life, art, and connection to San Antonio.

Valentin Diaconov reviews the current Fotofest Biennial exhibition that explores critical geographies and conflicts.