Feature

This week: an exhibition featuring landscape photographs of places blues singer Blind Lemon Jefferson once lived in Dallas, a retrospective of an artist's 50-year career in Houston, a solo show of surreal and rebellious works in McAllen, and more.

Hills Snyder reviews Alex Garland's film "Civil War."

Donna Tenant reviews an exhibition of new photographic, performative, and textile-based artworks by Sarah Sudhoff at Andrew Durham Gallery in Houston.

Rosa Boshier González reviews an exhibition of drawings and prints by artist Ruth Asawa at the Menil Drawing Institute in Houston.

Seyde Garcia writes about the interconnectedness of "Vernacular Systems," on view at the Contemporary at Blue Star in San Antonio.

Barbara Purcell talks with artist Caroline Wright about motherhood, movement, and working large scale.

Neil Fauerso reviews the exhibition "Upward Mobility" by the de la Torre brothers, on view at the McNay Art Museum in San Antonio.

A video tour of the exhibition "Alexander Squier: The Houston Brick Archive" at Julia Ideson Building, North Gallery (Houston Public Library Downtown).

A video tour of the exhibition "Ziesook You: Scent of Austin" at Dougherty Arts Center, Austin.

A video tour of the exhibition "Fragments: Earth and Steel" at Gallery Sonja Roesch.

Jessica Fuentes escribe sobre obras de Nortejiendo, Haydee Alonso y Verónica Ibargüengoitia, expuestas en la “2024 Border Biennial / Bienal Fronteriza 2024” en El Paso y Ciudad Juárez.

This week: a solo show featuring a Brooklyn-based street artist in Amarillo, an exhibition of intricately crafted paper works in Houston, monotypes and etchings exploring the dimensional and the flat in Austin, and more.

Ruben Cordova reviews the exhibition "The Age of Armor: Treasures from the Higgins Armory Collection at the Worcester Art Museum" currently on view at the San Antonio Museum of Art.

Jessica Fuentes reviews “Surrealism and Us: Caribbean and African Diasporic Artists since 1940” at the Modern Art Museum of Fort Worth.

Melissa L. Mednicov reviews the work of abstract expressionist pioneer Janet Sobel, whose contributions to art history are being reevaluated.

Leslie Moody Castro and Jessica Fuentes discuss new art organizations, the appeal of non-urban spaces, and the many changes occurring at institutions across the state.

Colette Copeland writes about performances by contemporary Indian artists that address concepts of home, labor, and class.

Emma Ahmad writes about the historical complexity of bolo ties in her review of "Everybody's Bolos" at the University of North Texas’ CVAD gallery.

This week: an exhibition of collage works exploring Black identity in Houston, a solo show of textile works in Dallas, a group exhibition featuring artists using found objects in Austin, and more.

Ryan Cantu writes about recent changes at the Laredo Center for the Arts and looks at how the space is supporting the city's creative community.