Feature

Lauren Moya reseña un nuevo libro coeditado por Aperture y el Centro para la Fotografía Creativa que presenta las obras completas del fotógrafo chicano Louis Carlos Bernal.

This week: a show of otherworldly but familiar landscapes in Austin, an exhibition of ceramics and prints in Odessa, paintings by Billy Al Bengston in Houston, and more.

Gabriel Martinez talks with Dallas-based artist Stephen Lapthisophon about his influences, his process, and how to know when a piece is finished.

8th grader Niki Golban reviews the exhibition "An Archaeology of Silence" by Kehinde Wiley, formerly on view at the Museum of Fine Arts, Houston.

Lyndsay Knecht writes about agar, fungus, and other the organic materials used in Dallas artist Rachael Henson's work.

Jessica Fuentes and William Sarradet discuss the redesign and expansion of the Arkansas Museum of Fine Art and the upcoming "Delta Triennial."

Jessica Fuentes writes about "He Said/She Said: Contemporary Women Artists Interject," on view at the Dallas Museum of Art.

Kaila Schedeen speaks with artist Rodell Warner about photography, what is omitted from archives, and how AI affects Black representation.

A video tour of the exhibition "Where The Lines Meet” at Throughline, Houston.

A video tour of three exhibitions at Sabine Street Studios, Sawyer Yards, Houston.

A video tour of the exhibition "Sabra Booth: Herbal Traces: Medicinal Plants of South-Central Texas" at the Ozuna Library and Learning Center, in San Antonio.

This week: a group show featuring art by Xicana and Latine women in Dallas, a visual conversation about Black representation in American Art in Wichita Falls, a group exhibition of artists exploring landscape in San Antonio, and more.

Max Tolleson writes about the sculptural interventions in former rice silos on view in “Dry Place” at SITE Gallery in Houston.

Leslie Moody Castro reviews an exhibition at Women & Their Work that uses the camera to explore the unique and the universal experiences of mourning.

Michelle Kraft writes about the complex systems of the natural world at play in "Elements on Earth and Beyond," on view at LHUCA in Lubbock.

Brenda Melgoza Ciardiello reviews "Surrealism and Us: Caribbean and African Diasporic Artists Since 1940," on view at the Modern Art Museum of Fort Worth.

Michael Flanagan explores poetic landscapes and organic forms on view in "Terrell James: Time and Tide" at Josh Pazda Hiram Butler Gallery in Houston.

A video tour of the exhibition "3DTX" at Heidi Vaughan Fine Art, Houston.

Jessica Fuentes reseña “El surrealismo y nosotros: Artistas de la diáspora caribeña y africana desde 1940” en el Museo de Arte Moderno de Fort Worth.

William Sarradet writes about two very different exhibitions on view at Barry Whistler Gallery and Ro2 Art in Dallas.