Amanda Douberley

For the Fuse Box Collaboration Project, curators Ron Berry and Jade Walker set up artists on what amounted to a ten-day blind date. They paired five Austin-based artists with five…

If you’ve ever taken a nineteenth or twentieth-century art history class, you probably felt a little bit inundated by the parade of “-isms,” movements, and schools that generally shape how…

There is a lot going on in Smile Forever, your current show at Art Palace: paintings, drawings and one giant sculpture. Across the board, your subject seems to be, for…

If we tell stories to help us make sense of the world, then right now the world must not make much sense because we seem to need a lot of…

The black box model is an apt characterization of WorkSpace, an ongoing series of exhibitions at the Blanton Museum of Art inaugurated along with its new building in April 2006.

Peat Duggins is making drawings that read like storyboards, sculptures that seem like film props, and a video that animates part of one installation and projects it, drive-in movie style,…

A dead-end hallway, papered with burgundy floral wallpaper, is the first thing one confronts upon entering The Gospel of Lead . Although not quite long enough to deceive viewers into…

This year’s Chinati Foundation Open House was its eleventh since Donald Judd’s death in 1994, but you still felt like no one would bat an eye if Judd walked in,…

Few museums maintain as strong a commitment to a single artist as the Menil Collection does to Cy Twombly.

Druecke’s work springs from the forlorn and forgotten: photographs relegated to that shoe box under your bed; the seldom occupied picnic table in a grassy lot not quite big enough…

“Space now is not just where things happen; things make space happen.” —Brian O’Doherty, Inside the White Cube “The icebox is full of love metered out over time. Metering is…