Norman Bel Geddes’ compass always pointed forward. From his design of the Palais Royal nightclub in 1922 to his plans for a pilot television studio for NBC in 1954, Bel Geddes proved to be a fearless and imaginative dreamer who was convinced that art, design and architecture enriched people’s lives immeasurably.
The exhibition I Have Seen The Future: Norman Bel Geddes Designs America at the University of Texas Harry Ransom Center includes drawings, artifacts, photographs and films from the archives of this important American visionary who presciently predicted many of today’s design innovations.
The scope of Bel Geddes’ prowess is breathtaking. This was a man on fire who knew no boundaries. After being kicked out of high school at the age of 14, Bel Geddes turned first to the theater for his earliest design efforts. Though he is not widely known for his immense contributions to theatrical design, this part of his career is very well represented in the Ransom Center’s exhibition, which includes drawings and photographs of his notable stage set designs, costumes, theatrical lighting inventions and even theaters.
In 1927 Bel Geddes opened up his own industrial design studio, branching out into architecture and product design. He became an ambitious champion of streamlining through his designs of futuristic cars, airplanes, boats and even an aerial restaurant. He is best known for his innovative design of the General Motors Pavilion at the 1939 New York World’s Fair, which featured his Futurama exhibit predicting “the world of tomorrow” from an urban planning perspective.
Among my favorite parts of this show are the various films produced by Bel Geddes, including a series of insect and animal studies he made as a youth. Especially hilarious are a series of audio recordings of Bel Geddes predicting what dishwashing, cleaning house, making dinner and watching the baby would be like in the future.
This fascinating exhibit, which closes Sunday, January 6, draws heavily from the Norman Bel Geddes archives, permanently housed at the Harry Ransom Center.
also by Christina Patoski
- Monks, Like Swallows, Return to Dallas' Crow Collection - April 17th, 2013
- "Noble Change: Tantric Art of the High Himalaya" at the Crow Collection - January 1st, 2013
- DAVID BYRNE'S DAY OFF - November 8th, 2012
- FUTURAMA: "Visions of the Future" at the Ransom Center - October 28th, 2012
- Yvonne Domenge outdoor sculpture may be moved to Fort Worth - September 27th, 2012