This week: a group show using humor to address absurdity, injustice, and trauma in Dallas; a two-person show exploring cultural and personal identity in Houston; a visual artist and writer collaborate at an experimental project space in Austin; and more.
Jonathan Hopson
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Henry G. Sanchez reviews an exhibition at Jonathan Hopson Gallery in Houston, featuring work by Liz Rodda, Lauren Moya Ford, Hong Hong, Guadalupe Hernandez, Brandon Tho Harris, and Troy Dugas.
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Two Emily Peacock exhibitions in Houston use humor to mediate materials, mental health, and motherhood.
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Christopher Blay and Brandon Zech on a founder of glitch paintings, tapestries of sex and car crashes, and some infernal pictures in East Texas.
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Brandon Zech and Christina Rees on an unmissable Valentine’s Day party, Charlie Chaplin losing a Charlie Chaplin lookalike contest, and full permission to get your hands around the work in a major exhibition.
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Brandon Zech and guest host Henry G. Sanchez on an installation you hear instead of see, a show that uses materials to poke holes in romanticized nature, and a ‘themeless’ group show in San Antonio.
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Houston artist Emily Peacock organized a comedy show featuring artists and non-artists alike. Here are a few photos from that event.
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Es una frase declarativa que anuncia lo que es nuestro y reclama el espacio de exposición, conteniendo las experiencias vividas y los legados de los dos artistas al igual que el de la curadora.
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The show stakes an uncompromising claim on the exhibition space, holding within it the lived and bequeathed histories of both artists and curator.
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This article is published concurrently with the Spring of Latino Art and the Latino Art Now! (LAN) national biennial conference and related programming taking place in Houston during the springtime of 2019.
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Last fall, the young space-within-a-space called Hello Project in Houston closed when its host space, McMurtrey Gallery, shut its doors. At that point, McMurtrey had been in operation for 35 years; Hello…
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Unit B, which opened its San Antonio location in 2006, has announced that it will close its doors indefinitely “to ponder the future of the gallery and life in general.”…