The fantasy goes something like this: Most everyone was pleased with the clear, focused vision for the 2011 Texas Biennial. It was a brilliant success, with a tightly curated, single exhibition…
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Sequels are never as good as the original, but since when has that ever stopped anyone? (To read Part I, click here.) Lack of respect, a turgid definition of productivity,…
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‘So, what do you do?’ Gulp, do I say artist, professor, writer, lawyer? One of these things is not like the other. Faced with this inevitable question I typically squirm.…
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The implosion of the Austin art world has got me thinking about art world power dynamics, as I mentioned last week in my published correspondence with Rachel Cook. The resignation…
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‘It was plagiarism, a plain piece of plumbing’ – Anon., ‘The Richard Mutt Case,’ 1917. Who hasn’t copied something? Dress it up with whatever word you’d like, sampling, stealing, reproduction,…
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On March 3-4, 2011, I attended the “Art as a Way of Knowing” conference at Exploratorium, San Francisco, the legendarily creative, hands-on science museum founded by Dr. Frank Oppenheimer in…
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A couple weeks ago, Austin’s Arthouse presented its second round of exhibitions in its newly renovated and expanded building. Opening night was packed with people moving back and forth through…
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From January 13 to February 4, 2011, a table of patrons in the second-floor cafeteria of the Museum of Modern Art ate the exact same thing: “a tuna fish sandwich…
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As we become older, we begin to lose things. It’s common knowledge that most of us accept. We lose memories, loved ones, keys. Yet even amid the vast expanse of…
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The Worst Piece of Art I Ever Made: Unicorns, Unicorns, Unicorns or How I Learned to Love the Bomb
by Beth Secorby Beth SecorI have made many bad pieces of art in my lifetime, and so it is difficult to decide which of those artworks truly deserves to be called The Worst Piece…
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The worst piece of art I’ve ever made is also one of the most important pieces of art I’ve ever made. It sits at the very top of an eight-foot…
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I was introduced to Michael Phelan when he bought a sculpture made by a friend of mine. In the work, a tiny, handwritten message on a stick is propped on a concrete block resting on an old piece of linoleum. I considered it her best work to date and was glad to know that someone else appreciated it as well.
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“Space now is not just where things happen; things make space happen.” —Brian O’Doherty, Inside the White Cube “The icebox is full of love metered out over time. Metering is…