First, because of a three day texting exchange with Ben Aqua. These reminded me of… …this: Then I received an email from Armando Miguélez of his latest series…
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Well my issue of The New Yorker Magazine came today and on the cover was my inspiration for Similar but Different #29: The Rainbow Connection. Newsweek went so far as…
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The image above and those below were pasted in a document that opened with the following (loosely translated) text: “To all unmarried ones who would like to spend their life…
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90s Nostalgia: Lamenting the loss of the mega bookstore while loving the iPad
by John Aaspby John AaspDuring the 90s, I worked at Hastings. Similar to other major retail entertainment chains (Borders, Blockbuster, Tower, etc.), Hastings sells just about every form of consumable media, and can be…
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The world lost Thomas Kinkade more than a week ago, an artist whose importance during his life was measured by product placement and marketing prowess. Kinkade’s work always fascinated me,…
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The Dallas Art Fair is back and seemed way better than last year. Here are some highlights: Conduit Gallery Dallas’ Conduit brought an interesting range of work. Charlie James…
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Two weeks ago, I took a road trip to the coast to jury a student exhibition at Rockport Center for the Arts. I spent Saturday in downtown Corpus Christi which…
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Rigoberto Gonzalez Alonso in Harlingen and Houston: Corridos Baroccos, Part II
by Sarah Fischby Sarah FischContinued from Part I… V. Reynosa, Narcolandia and sad, sad data It’s important to point out that Rigoberto Gonzalez is not a Chicano artist, though he shares a lot of…
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Rigoberto Gonzalez Alonso in Harlingen and Houston: Corridos Baroccos, Part I
by Sarah Fischby Sarah FischRigoberto Gonzalez applies Baroque technique to scenes of narcoviolence. The result isn't journalism, but epic poetry.
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The College Art Association Conference was a great excuse to play in L.A. for a few days. Arriving at the swanky L.A. Marriott Live hotel, I immediately noticed the…
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Last December, before my visit to Crystal Bridges, I wrote about the challenges of being a museum funded by Wal-Mart money and located in Bentonville, Arkansas. I had interviewed the…
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This Mughal Dynasty (mid-18th c.) fly whisk is on view in the MFAH’s Indian art galleries. It’s an outstanding object which alone merits a visit to the museum. The MFAH…
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I had the incredible privilege of visiting the community of Tlatelolco last week. Tlatelolco is one of the places in the city that has long been avoided, was falling apart,…
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February 2, 2012. By 6:30 pm, the line waiting for the Shepard Fairey talk was already a block long. Thankfully, my RVSP and press status allowed me instant entry. After…
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When I ask Mark Goodman, Graduate Academic Advisor in the Department of Art at the University of Austin, what he wishes he could tell his 25-year-old self about a career…
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This year is an election year in Mexico. This election will be a pivotal one for the entire country. I was living in Mexico City when the current president, Felipe…
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I couldn’t help but take a photo of this very lonely seat on the subway in Chicago just a couple of weeks ago… Imagine my surprise when I stumbled upon…
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Wherein your narrator is roped into a dangerous collaboration in NYC, by dint of being from Texas.
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A few weeks ago, my girlfriend and I began binge viewing art documentaries. We started with Herb and Dorothy (2008), the story of an elderly middle-class couple whose private collection…
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Glasstire’s contributors suss out the season’s most promising shows. AUSTIN Evidence of Houdini’s Return Arthouse/AMOA January 4 – March 4, 2012 Arthouse and AMOA are officially conjoined twins and, as…