Megan Wilson Krznaric reviews "Woven Together," on view at Kinfolk House in Fort Worth.
Review
-
-
William Sarradet writes about recent exhibitions at the Modern Art Museum of Fort Worth, Arts Fort Worth, and Galleri Urbane in Dallas.
-
Jessica Fuentes writes about the exhibition "I'll Be Your Mirror: Art and the Digital Screen," on view at the Modern Art Museum of Fort Worth.
-
Review
The Ancestors We Want to Become: “Golden Worlds: The Portable Universe of Indigenous Colombia” at the Museum of Fine Arts, Houston
Rosa Boshier González reviews an exhibition featuring gold, sculptures, and other works created by the ancient cultures of Colombia.
-
Review
Review: “Sketches for Three Voices” by Joanna Klink, Annette Carlozzi, and Francesca Fuchs at testsite, Austin
Lauren Moya Ford reviews the exhibition "Sketches for Three Voices," on view at testsite in Austin.
-
Peter Lucas reviews the exhibition "Walter De Maria: Boxes for Meaningless Work," on view at the Menil Collection through April 23, 2023.
-
Valentin Diaconov reviews a retrospective of works by artist Ellsworth Ausby, on view at the Houston Museum of African American Culture.
-
Review
Many Names Cited: “A Survey of Artists From Erin Cluley Gallery” at the Wichita Falls Museum of Art
William Sarradet writes about a group exhibition organized by Wichita Falls native, Erin Cluley, on view at the Wichita Falls Museum of Art.
-
Donna Tennant reviews a posthumous retrospective of work by longtime Houston artist Alice Lok Cahana.
-
Review
Finding Equilibrium, Releasing Pressure: Exhibitions in Lubbock Address Women’s Labor and Care
Natalie Hegert reviews three exhibitions in Lubbock that highlight and exalt the invisible labor done by woman artists.
-
Michael Flanagan writes about Mark Flood's exhibition at Reeves Art + Design in Houston.
-
Review
From Ghana to South Texas: “Japheth Asiedu-Kwarteng: Ginger is Carrot” at Texas A&M University-Kingsville
by Liz Kimby Liz KimLiz Kim writes about the work of Texas-based, Ghanaian-American artist Japheth Asiedu-Kwarteng.
-
Review
Review: Gina Gwen Palacios’ “Vale La Pena/It’s Worth It” at the Branigan Cultural Center, Las Cruces
by Hannah Deanby Hannah DeanHannah Dean on an exhibition that uses family history and archives to address issues of othering, belonging, narrative, and place.
-
Review
Review: “Mara Held and Julia Kunin: Kaleidoscope Eyes” at McClain Gallery
by Doug Welshby Doug WelshDoug Welsh reviews an exhibition of hypnotizing ceramic sculptures and paintings in Houston.
-
Emma Ahmad reviews the exhibition "Stack and Smoosh," curated by Benjamin Terry and featuring work by Claire Kennedy, Niva Parajuli, and Megan Reed.
-
Barbara Purcell reviews a collaborative exhibition between artist and musician Daniel Johnston and his sister, Marjory, at Lydia Street Gallery in Austin.
-
Review
A Line’s Wisdom: Pleasure and Preparation in Robert Motherwell’s “As Fast as the Mind Itself”
Rosa Boshier González reviews the Menil Drawing Institute's exhibition featuring four decades of work by Robert Motherwell.
-
Valentin Diaconov reviews a two person exhibition by Antonia Kuo and Mariah Robertson at F in Houston.
-
Jessica Fuentes reviews "Soy de Tejas: A Statewide Survey of Latinx Art," a show curated by Rigoberto Luna and on view at Centro de Artes in San Antonio.
-
Review
Review: Like No One Else: Alexis Pye at Lawndale Art Center, Houston
by Doug Welshby Doug WelshDoug Welsh reviews artist Alexis Pye's solo exhibition at Lawndale Art Center.