Ed note: This article originally appeared in Glasstire on March 6, 2018. We're re-running it today because tomorrow, June 16, the Museum of Fine Arts, Houston will screen the movie 'Milford Graves Full Mantis' as part of its Jazz on Film series.
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"I am really trying to recreate this memory, that moment we just surrender and marvel at the things around us.”
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"How can we reach a community and think about the resources within the community in order to demonstrate that the museum is part of the community?"
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"Authenticity is truly the cost of admission, not to mention the rent prices."
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"To me, artists would play a central role in helping to create a new kind of aspirational society."
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"What happens in Texas is often more resolved and extreme than elsewhere."
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"But now I think small town America is the best thing we have. There’s low barrier to entry. This place shows that things are possible."
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Zhang has an effortless fluency with surrealism; his humor and creativity collide into a frisson of dark wonder.
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"Having a conservative attitude towards taking risks does not yield good results for us."
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Douglas Doneson sits down with graphic designer Mike Frost to talk about the history of Houston's hip-hop scene through its album covers.
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What Paper Carries: Student Artist Josue Romero on DACA, Art for Change, and Dreams Deferred
by Sarah Fischby Sarah Fisch"This is a human struggle. We’re disconnected from the past, and history."
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What is art’s role in rebellion?
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"After you’ve seen enough of my selfies, I become redundant and blurry, like telephone poles by the highway."
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After two years of perfecting her process, Crombach returned to Austin to curate a show at Co-Lab Projects' DEMO Gallery.
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"The easy part for me is being in the studio. The hard part is stopping and eating... or going to the grocery store."
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When it came up that Opie’s conversation could be with her longtime friend Eileen Myles, the anticipation for Off Road immediately doubled, like a small explosion happened at the office.
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"Humor is useful as a hook and it puts people at ease, and then once you have people at ease, you can do something else to them."
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He was going to test the independence of this “Independent” group.
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A painter, sculptor and printmaker, here Magee discusses his life and art by answering seven questions, a number that has recurring significance to his work.
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The painting that hangs behind Rainey Knudson's desk was made by a Houston painter who was an artist's artist.