Feature

On the occasion of an upcoming film screening and night of performances, Peter Lucas writes about the life and work of the musician Pauline Oliveros.

This week: a series of conversations featuring local artists, architects, art historians, and critics in Houston; an artist's first solo museum exhibition in Dallas; a group exhibition exploring the symbology of femmeness in Austin; and more.

A video exhibition tour of a show of works by Yuni Lee, on view at Women & Their Work in Austin, Texas.

Joseph R. Wolin reviews an exhibition in Dallas featuring work by the influential Mexican artist Abraham Ángel.

Caroline Frost reviews an exhibition at The Contemporary Austin that explores the past, present, and future of land use and labor.

Today: Iridescent drips

Alli Rogers Andreen reviews an exhibition of paintings by artist Pierre Bonnard, on view at the Kimbell Museum of Art in Fort Worth.

Renee Lai talks with artists Christine Garvey and Annie Miller about painting, motherhood, and the similarities and differences in their work.

Jessica Fuentes writes about her recent visit to the Mexic-Arte Museum as part of her research funded by the Andy Warhol Foundation Arts Writers Grant.

Gabriel Martinez and Brandon Zech discuss their anticipated exhibitions in Texas, including a retrospective of works by Ruth Asawa at the Menil Drawing Institute in Houston, an intergenerational show dedicated to Caribbean and African diasporic art at the Modern Art Museum of Fort Worth, and more.

Colette Copeland writes about working with art students at the National Institute of Design during her time in India on a Fulbright Scholarship.

Artist Vincent Falsetta discusses what initially drew him to Texas from the East Coast, his own artistic practice, and his years as a professor at the University of North Texas.

A peek inside the studio spaces in Big Medium's new facility in South Austin.

Garland Fielder interviews artist Nestor Topchy on the occasion of his solo exhibition, "The Iconic Portrait Strand," at the Menil Collection.

Today: Dogs guarding art

Brandon Zech talks with Glasstire’s new Editor-in-Chief, Gabriel Martinez, about what makes a good work of art, how music, writing, and art differ, and why artists should know art history.…

William Sarradet writes about the relationship between sight, drawing, and illusion.

Carris Adams reviews an exhibition of works by Madrid-based artist Miguel Sbastida that examine the ecology of coral reefs.

This week: a Cuban artist opens their first U.S. solo museum exhibition in Houston, a show in Austin of artworks that reference and deconstruct large-scale public sculptures, emerging painters from Texas State University present their work in Lockhart, and more.

Kim Sandoval reviews Alexandria Canchola's exhibition "Memories Blurred with Fiction," on view at the Brownsville Museum of Fine Art.