In his 1960 essay, Modernist Painting, Clement Greenberg writes, “With Manet and the Impressionists the question ceased to be defined as one of color versus drawing… and became instead a…
impressionism
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A delicate color palette and the combination of natural with unnatural organize the show: from the glazed earthenware pineapple to the pile of palm-frond slices stacked intermittently with cleaning pads.