Thomas Struth 1977-2002, currently on view at the Dallas Museum of Art, reveals the photographer’s astute ability to capture the temperament and interconnectedness of his subjects’ documentary elements. His bodies…
June 2, 2002
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A patch of animal fur on one painting was what first caught my eye. When I read the title, Still Life with Buffalo Fur, I was hooked. At 6 x…
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One of the most satisfying aspects of When 1 is 2: the Art of Alighiero e Boetti is the sheer diversity of the work. While the divergent paths of Boetti’s…
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For pristine grid paintings, they’re quite yucky. Melissa Thorne takes three afghans and a quilt and renders them in immaculately smooth acrylic paint on canvas, making a straightforward translation of…
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Like a staged civil war battle, Kennaugh paintings are complete to the smallest detail, except for the blood.
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Hip detachment is usually a cover for insecurity. This isn’t necessarily bad, as insecurity is the defining emotion of our uncertain culture. With unusual honesty, Brent Steen’s show at Inman…
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While viewing Susie Rosmarin’s recent exhibition “Paint By Numbers” at Boston’s Bernard Toale Gallery, my mind kept wandering to the music of Dimitri From Paris. Two years ago, he released…