Ever since she burst onto the scene in 1994’s Winter of Love show at P.S. 1, Italian-born artist Vanessa Beecroft has captivated the art world with her installations/performances of (mostly)…
March 2, 2002
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For the first time since 1994, FotoFest returned to a thematic organization of its biennial citywide “festival” of photography. Previous themes have included Fashion, Contemporary Latin American Work, and The…
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All the adjectives commonly applied to Larry Clark’s Tulsa grim, disturbing, honest, visceral, and, most frequently, raw are no less applicable today than they were when the images…
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In “Junkspace”, Rem Koolhaas” contribution to the Spring 2002 issue of October, the author describes in broad, at times metaphorical terms, what he perceives to be a global cultural crisis;…
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The action in Chas Bowie’s still lives exists in-between the pictures and their sentence-long titles: there’s a gap which the viewer must bridge by imagining a story, like those psychological…
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Responses to Bill Davenport’s Tire Iron 6: John Pomara, at Inman Gallery: